“Wrens Nest Wood – 5800K” Kelvin colour scale photography.

“Wrens Nest Wood – 5800K photograph version”

Using photographic editing software, this blog article is created to represent directly adverse global warming effects upon nature.

The first image from my quick sketch study #1 in blue ink pen entitled “Wrens Nest Wood – 5800K photograph version” explains how digitally adjusting the ‘Kelvin’ colour temperature scale of an electronic photograph changes its visual pleasance.

For instance, ‘cooling’ the Kelvin temperature of my artwork photograph to 3800K (Kelvin, digitally edited) highlights blue spectrum hues {scientifically; wavelengths} in my artwork as seen here:

“Wrens Nest Wood – 3800K photograph version”

My Kelvin scale digital adjustment is similar to the light effect of the Sun – dependent upon its strength.

Determined via cosmic arrangement, age, velocity, angles, atmospheric conditions, elements, obstructions (local/spatial), cyclic rotations and proximity to Earth’s surface.

Viewing “Wrens Nest Wood – 10000K photograph version” below, we can feel the difference between each individual artwork – from the 3800K, 5800K and 10000K versions respectively.

Kelvin temperature scale has dramatic relevance in photography.

This article seeks pertinent correlation with Kelvin colour temperature scale and manmade global warming.

The latter indisputably documented, scientifically peer reviewed, journalistically communicated, referenced through tragic human experiences, economically reverberated, commercially disruptive, artistically magnified and politically emotive as an existential threat to life.

Natural beauty endangered in the context of visibly destructive cues.

“Wrens Nest Wood – 10000K photograph version”

Clearly my interest, artistically, from a conservational viewpoint is explicably linked to the origin of William Thomson, 1st Baron Kelvin‘s own scientific experiment.

That is to write, his literal burning {a block of} carbon to establish colour temperature as a unit of quantifiable measurement.

We see within this series of five digital photographs from my original “Wrens Nest Wood” [blue ink pen, sketch study #1 on A4 80gsm paper] the harsh environmental effect burning colour from our natural wooded landscape causes!

Let’s take a look at what happens when the 10000K {Kelvin} scale is digitally tripled:

“Wrens Nest Wood – 10000Kx3 photograph version”

… and finally, quadrupled:

“Wrens Nest Wood – 10000Kx4 photograph version”

The horrifying end result is seen in “Wrens Nest Wood – 10000Kx4 photograph version”.

Our beautiful ‘warm-yet-cold’ 5800K natural reference photograph now appears to have turned our wooded landscape into a seemingly uninhabitable charred version of itself!

We should all be aghast, chimes the climatic hour of need.

Bleak landscapes, leached of palatable homeliness.  Intensely devoid, unbearable to our science-faction eyes.

‘Dune’-like.

I hope you have greatly enjoyed my thought-invigorating artworks designed to assist with positive climate-change inspiration.

Now, more than ever, is the Time to exponentially reduce carbon, N0x and other pollutive manmade particulate materials throughout our worldwide environments.

Thank you dear Readers.

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“Amorevolously Sementine”

“Amorevolously Sementine”

“Shall we artigraph a fabrefaction,

quizzical of words?

Astoundi-animalation

historically un-absurd,

You see:

‘Singular malleation took the mammoth Steppe,

Although, here, in {two oh N0x}

it’s much less boscaresque,

Terra, Brine an’ Celesphere

quite an addled mess,

You’re verily mariturient

to beloved Earth,

Amorevolously sementine, nuturient

to such a worthy cause,

Tenellous of virtue

cleanliest Mandamus in hands,

Readied for natural ablactation

from tup pollutive course,

A magnanerie of fine Acatour’s

global through and through,

Brabeum of Bluest Mirth

heal ‘er rounded-straight and true.’ ”

– a poem by Matt The Unfathomable Artist, jpg image in Grotesque font, © 14th February 2021.

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“Baby Wren”

“Baby Wren” a poem by Matt The Unfathomable Artist:

“What are they doing? graviloquenced Baby Wren to her phrontist Mum,

“Ah, you see they defedated every thing,

they think the Earth’s an igniparous gun,

At the other end of what they started with,

is half of what begun!”

Baby Wren replied:

“Yes Mum,

I read dear Ursus Maritimus,

the Ephydriadic Bear,

they melted myriads of her sea ice with impigrity,

it’s now traboccantly rare.”

Conservation poem “Baby Wren” by Matt The Unfathomable Artist © 12th February 2021.

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“Wells Beryllium”

“Wells Beryllium”

“Betroth expatiate Mohs forbidding,

Electrons, ions, intransigent missing,

Nephesh halcyon junctured megalithic,

Discern bauxite cavalcade civic,

Ten twelfth’d mellifluous adjutant quorum,

Reportage veracious implorem,

Hans Christian Ørsted Andersen,

Aitch G gem-rotated Wells beryllium,

Polyatomic cedared anodized tantalum,

Clay winged Endopterygota’d writed-reader,

Centurion imperative coalesced,

Evocation renewable crest extented breadth,

Tectonic ultra-sounded super-souled test,

Thermal{LED} rheostatic propitious behest,

Declaration ‘Tangier, tingis, Tonga,

Kong Haakon’.”

– a poem by Matt The Unfathomable Artist © February 2021.
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“Thrice Orb’s Emolument”

“Thrice Orb’s Emolument” a poem by Matt The Unfathomable Artist.

“Setteth Thrice Orb’s emolument,

Thine ingenious Gazetteer,

Sing harmonious oars thee stade

of Roebuck dangered clear,

‘Parley’d barley, M’lud’,

A Dragoon reined ‘Spheric steer

tarried pinions principled crag,

‘a Viziered Artist {mightest my seer},

aye of fair lass an’ thine ruddy lad,

to deed that their two five and ten pointed stag’,

whence The Course fill thy run ye true’d,

An’ shine wit intellect natch intend imbued,

‘Newest far yonder Oldest’ we saith

yare our dearest Plough’eth’d H’earth,

thee nated-knap ravin-surged,

takin’ a ponderous weevilled bourse,

nev’ aught Leap nor unbounded words permit,

that we putteth high aft our soddened ground,

gift her alluvion married sail

wildern makest hallowed proud,

an’ whence thou work endowed

in quickened Time,

Gord be lively brindled sound.”

– a poem by Matt The Unfathomable Artist, shown in Trade Gothic Next font in image © January 2021.

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“Resurgental Teem”

“Resurgental Teem”

‘Amalgamated punctilious presciential,

ancient Romanized primordial,

prehistoric chimera Luxorial,

periscopal Sans-Serif rye-cardial,

Emerald, ruby, sapphired-diamond,

Laplacian machina extincted firebrand,

Kindled ebullient meritorious,

Praia das Catedrais,

Sojourned island Peiraieus,

Setted proscenium,

Tragedian,

Stokered stormied theorem,

Physiognomy,

Thine and thy a progeny,

Solemnly,

‘I Maat Metamorphose’

Quaintly Unimprobably,

Countenanced Thutmose,

Who really is the utmost Resurgental Teem?

silvery Superhost overspilling thee,

Sepia portraited {cobalt} green,

Reclamational Blue & Baleen,

Scrolling spouted words,

Please follow me,

Osier{ily} manifested,

Quotient collected,

Unto foreseen.’

– “Resurgental Teem” a poem by Matt The Unfathomable Artist in Sans Serif font, © January 2021.

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“Modulated Paragon”

“Modulated Paragon” – a poem by Matt The Unfathomable Artist, © 19th January 2021, poetry image text in UD Digi Kyokasho NK-B font.

‘Irrepressible enumerate tracks,

Grandiose entrepreneurial stacks,

Coracle floated entomological,

Diplomatical syntax categorical,

Stretched-out handed,

Gold lined annexati{A}n0n,

Electric arcing,

Maelstrom modulated Paragon,

Algebraic constanted Automat{e}-ion,

Forrader ravenous trajectory,

the Superlative Plenipotentiary,

Prepositionalled lattice crowned,

Elevationary.’

– a poem by Matt The Unfathomable Artist, © 19th January 2021.

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Nine Six Nine Deciduous

‘Nine Six Nine Deciduous’ a poem by Matt The Unfathomable Artist, copyright January 2021, poetry image text in Sitka font.


‘One wisheth to be fastidious,

Exuberantly earthened unhideous,

Fettering the Demarcatious,

Being Nine Six Nine deciduous,

Half the Time Draconian contiguous,

Fervently filial-al,

Omnisciently quintessenti-al,

Redolently chromosomium,

Extricably balonium,

Hath thou eve’n heard thy Meconium?

Tellest thee of thine Meconium.’

– a poem by Matt The Unfathomable Artist, copyright January 2021.

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‘Thy Glinting End’

“Rhythm taut flexed skin,

Phoenix constellated Xiaolin,

Grey troned electronic queue,

Washington imbued stately hue,

Accrued in silvric metalled smite,

Smelted gilded ladened kite,

Embark radared mineralled sight,

Warp’ed Traveller supered extra-Nigh,

Prospect ye illust-fabled crystalline bright,

Crush-cookied shaped girded lineal spars,

Soot tunnelled depth-charged night,

Terraquoised chasmed vultured sleep,

Shah-Khan, Bosi, Tanakh, Chi-Tewan,

Resonate volumed anti-quet Clan,

Green threaded strongheld quasi-Blue,

Mired Red wounded aged dread,

Of ye an’ ye thy Stratos fallened through,

Meat thou meeted glinting End.”

by Matt The Unfathomable Artist, copyright 9th December 2020.

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“Spook’ed Mangled Soul”

“Spirit darkened myriad troll,
Thouest spook’ed mangled soul,
Quibbled night, contentious rift,
Confuffled postulation, cantankerous shift,
Tis mere blight, a trifling blip to your day,
Thy creaking lull, makes fishers hay,
Thine sinking bedraggled vessel,
Lest not evil grin dishevel,
Fallen Kraken weighted bat strewn cavern,
Taking monstrous sup,
Debauch’ed bloodied tavern cup,
Wolves a’ howling melod’ thee lungs,
Arms of fire, defended Damascus guns,
Sighs overgrown, deaden’ed bite,
Hollowed eyes devoid’ed fright,
Artily made Love, submersive eve’n unto die,
Pitifully uncan’ bruted tragic joy,
As scrying imaged plotted ploy.
Guard thy torrented storaged keep,
For lovers one cannot nightly weep.”

– by Matt The Unfathomable Artist, copyright 25th October 2020.

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