Moonlight and the Lights Engine

“Moonlight in Cloud” [photograph, 14th December 2021, 20:17hrs] by Matt The Unfathomable Artist.

What do you see when viewing the image entitled “Moonlight in Cloud”, immediately above?

“The Inhabited Lights Engine” [photograph, 14th December 2021, 20:21hrs] by Matt The Unfathomable Artist.

How do you feel when you view “The Inhabited Lights Engine” photograph, immediately above?

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“I Want To Change The World, Different Same” the higledi-pigledie version

“I Want To Change The World, Different Same” the ‘higledi-pigledie version’ [30th July 2020] – a saying by Matt The Unfathomable Artist, dip nib pen using original iron gall ink on A3 [180 gsm] Artist’s paper.

I want to change the world by making it different and I want to change the world by keeping it the same.” derived from my original saying published on this blog 24th February 2015.  Wrote in an electronic message to my dear Nan some time earlier.

The original blog articles containing my quote-saying in various constructive versions are available to read here:

Twombly and Distant Voices and A Dodecahedron.

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Triple Seismic Waves with Oscillation #1

‘Triple Seismic Waves with Oscillation #1’ [July 2020] by Matt The Unfathomable Artist, dip nib ink pen on A3 180gsm paper.

Spontaneously sharing my latest dip nib ink pen artwork using iron gall ink entitled ‘Triple Seismic Waves with Oscillation #1’.

Electronic oscillation produces pleasing visual effects.  This artwork seeks to replicate the idea in drawing form using my free hand technique for the curved lines.  I love scientific art.  Curves, electronics, seismographs, oscillators, earthquakes, sound waves, along with the beauty of artistic courses.

For this artwork I use a nib that creates a double ink line due to the noticeably distant ‘tines’ of the metallic nib.  The flow of ink is important with dip nibs where one is wishing to produce a continuous line across a ‘decent measure of time’ once upon the paper.

The effect of oscillation can been seen vertically in this artwork.

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Oak Branch Astronomy

‘Kinin Valley’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Imagine NASA has just this second received new images from their distantly galactic travelling satellite probe. Kinin Valley, shown above, could have been photographed 100,000 miles from space. Detailing its epic landscape of cavernous valleys and Mars like red rock formations.


‘Nebulaic Cyclones with Wormhole Striations’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

As the deep space probe passes over this alien lunar surface we see a huge meteor has struck an immensely dry area to our left in the above image, Nebulaic Cyclones with Wormhole Striations. Upper right we can make out what appears to be storm scars of ancient water erosion.

At the lower mid section of the image we observe heavy sloping, a natural quarry descending downwards towards us. An alien species has perhaps eaten into the landscape in worm-like striations, burrowing strange etches into this now lifeless moon.


‘The Helix Whorls’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

NASA gathers together a team of specialist scientists to categorically figure out ‘The Helix Whorls’ phenomenon.

A time traveller probably visited last Wednesday, one million three hundred thousand years ago, at a time when sturdy shell covered creatures roamed this moon’s macro-phasic atmosphere.


‘Robur Canyon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Mythical legends have spoken of monsters lurking in structures exactly as described in Robur Canyon. Dark matter without discernible mass, form or measurable depth causes disenchanted quietness upon anyone approaching its entrance ways – shown above, to the right and lower right, at two distinctive places.


‘Inescapable Monster Moon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Similar in idea to our own Man in the Moon, this image conjures a vivid resemblance with the terrestrial deep sea Fangtooth, Anoplogaster cornuta. Actually the pit to the lower left could be 20,000 feet deep!

Imagination is Art.

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type: The Unfathomable Artist

‘type: The Unfathomable Artist #1’ [19th February 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 and Times New Roman fonts, 7016 x 4951 pixels, 600dpi, A4 Landscape format.

Digital Pop Artworks digitally produced to technologically articulate the need for global climate change policies.

Subtle version two shown immediately below, with the future idea to create written words and iconography throughout the blue canvas space:

‘type: The Unfathomable Artist #2’ [20th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 font, 4412 pixels x 3981 pixels, 600dpi, A4 Landscape format.

Version three with Times New Roman ‘type’ font and ITC Kristen chosen for the main green yellow alternating Unfathomable text shown below:

‘type: The Unfathomable Artist #3’ [24th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, Times New Roman and ITC Kristen fonts, 7016 pixels x 4961 pixels, 600dpi, A4 Landscape format.

At the time of editing this page on 24th May 2020 I have started work on two oil paintings for my ‘type: The Unfathomable Artist‘ series of pop artworks.  The blue screen backgrounds are already completed.  I’m waiting for the refined linseed oil mixed within the oil paints to dry before adding the painted fonts.

I’m likely to choose version #3 as the first oil painting artwork for me to finish.  Then version #1, as seen in these Digital Pop Artworks.  The blue backgrounds already look delicious.

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Multiple Seismic Waves [second version]

‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist, Carbon pencil on 160gsm A4 Gouache paper.  Digitally edited photograph.

‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist is very much another art experiment with sound and seismic waves in mind.

Here is the first version I did in blue ink pen:

‘Multiple Seismic Waves [first version]’ [2016] by Matt The Unfathomable Artist, Blue ink on A4 paper, artwork whereabouts unknown.

The first version is currently ‘missing’.  I really don’t know where it is!

I might like to varnish some or all of my sketches.

My second version of the ‘Multiple Seismic Waves’ series includes varying frequency waves, as follows:

One full page seismic wave centrally placed.  Twenty three clearly visible smaller seismic waves.  Finally, there are also some lovely lightly penciled full page high amplitude, oscillation styled, long wavelength patterns too.

I love these artworks for all the conceptual ideas they contain.

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‘Symbolic Feathers’ completed July 2013

Detailed view 1 of ‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).

Detailed views 1 and 2 shown above and below respectively.

Detailed view 2 of ‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).

Detailed view 3 shown below.

Detailed view 3 of ‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).

The following photograph is the full canvas of ‘Symbolic Feathers’ by Matt The Unfathomable Artist, here:

‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).

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