
What do you see when viewing the image entitled “Moonlight in Cloud”, immediately above?

How do you feel when you view “The Inhabited Lights Engine” photograph, immediately above?

What do you see when viewing the image entitled “Moonlight in Cloud”, immediately above?

How do you feel when you view “The Inhabited Lights Engine” photograph, immediately above?

“I Want To Change The World, Different Same” the ‘higledi-pigledie version’ [30th July 2020] – a saying by Matt The Unfathomable Artist, dip nib pen using original iron gall ink on A3 [180 gsm] Artist’s paper.
The original blog articles containing my quote-saying in various constructive versions are available to read here:

‘Triple Seismic Waves with Oscillation #1’ [July 2020] by Matt The Unfathomable Artist, dip nib ink pen on A3 180gsm paper.
Electronic oscillation produces pleasing visual effects. This artwork seeks to replicate the idea in drawing form using my free hand technique for the curved lines. I love scientific art. Curves, electronics, seismographs, oscillators, earthquakes, sound waves, along with the beauty of artistic courses.
For this artwork I use a nib that creates a double ink line due to the noticeably distant ‘tines’ of the metallic nib. The flow of ink is important with dip nibs where one is wishing to produce a continuous line across a ‘decent measure of time’ once upon the paper.
The effect of oscillation can been seen vertically in this artwork.

‘Nebulaic Cyclones with Wormhole Striations’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.
At the lower mid section of the image we observe heavy sloping, a natural quarry descending downwards towards us. An alien species has perhaps eaten into the landscape in worm-like striations, burrowing strange etches into this now lifeless moon.
NASA gathers together a team of specialist scientists to categorically figure out ‘The Helix Whorls’ phenomenon.A time traveller probably visited last Wednesday, one million three hundred thousand years ago, at a time when sturdy shell covered creatures roamed this moon’s macro-phasic atmosphere.
Mythical legends have spoken of monsters lurking in structures exactly as described in Robur Canyon. Dark matter without discernible mass, form or measurable depth causes disenchanted quietness upon anyone approaching its entrance ways – shown above, to the right and lower right, at two distinctive places.
‘Inescapable Monster Moon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.
Imagination is Art.

‘type: The Unfathomable Artist #1’ [19th February 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 and Times New Roman fonts, 7016 x 4951 pixels, 600dpi, A4 Landscape format.
Subtle version two shown immediately below, with the future idea to create written words and iconography throughout the blue canvas space:

‘type: The Unfathomable Artist #2’ [20th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 font, 4412 pixels x 3981 pixels, 600dpi, A4 Landscape format.

‘type: The Unfathomable Artist #3’ [24th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, Times New Roman and ITC Kristen fonts, 7016 pixels x 4961 pixels, 600dpi, A4 Landscape format.
I’m likely to choose version #3 as the first oil painting artwork for me to finish. Then version #1, as seen in these Digital Pop Artworks. The blue backgrounds already look delicious.

‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist, Carbon pencil on 160gsm A4 Gouache paper. Digitally edited photograph.
Here is the first version I did in blue ink pen:

‘Multiple Seismic Waves [first version]’ [2016] by Matt The Unfathomable Artist, Blue ink on A4 paper, artwork whereabouts unknown.
I might like to varnish some or all of my sketches.
My second version of the ‘Multiple Seismic Waves’ series includes varying frequency waves, as follows:
One full page seismic wave centrally placed. Twenty three clearly visible smaller seismic waves. Finally, there are also some lovely lightly penciled full page high amplitude, oscillation styled, long wavelength patterns too.
I love these artworks for all the conceptual ideas they contain.

Detailed view 1 of ‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).

Detailed view 2 of ‘Symbolic Feathers’ [July 2013] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. (Digitally edited photograph).