“MΣ” Starry version with Carbon version

[Starry version]” [25th June 2021]
by Matt The Unfathomable Artist, digital sketch originally using 3H HB 3B pencils, includes 3.00 gamma correction, original sketch on A4 135gsm Artist’s paper, digital sketch 4698 x 4115 pixels.

The image entitled “ [Starry version]” [25th June 2021] is the culmination of personal artistic experimentation. Whilst I sat in the garden, eating grapes, supping an enjoyable beverage I suddenly felt inspired to produce a digital symbol.

The idea is to create a branding for cryptography technologies that can be trusted with sustainability and resources.

Presently I do not believe that [most all] cryptocurrencies offer environmentally moral solutions.

At first I kind of doodled on the page, using my standard ‘M’ found upon my paper artworks throughout my digital social media. However, my early doodles didn’t represent the word ‘technological’ in any way.

Seemingly we cannot avoid digital life to some extent, its part of our modern culture. Unless you live in a remote jungle happily building tree houses. Even there modern culture has encroached upon differing sensibilities in parallels to national colonialism circa 18th century.

Quickly I began to create the stylistic ‘M’ you see in these artworks, above and below:

[Carbon version]” [24th June 2021]
by Matt The Unfathomable Artist, sketch in digital representation using 3H HB 3B pencils, includes 0.70 gamma correction, originaly on A4 135gsm Artist’s paper, 4698 x 4115 pixels.

Furthermore I had thought about producing my own digital font over past months. I feel this M provides a starting basis for all other characters in my ‘computerised script’.

With the advent of mass communication through the internet, along with social media, we can see there is a sort of power struggle between censorship, human rights, humanitarian issues, accountability and anti-ecological commercialism.

These are complex societal mechanisms of emotion, belief and earnest interest in ensuring a well maintained sustainable planet Earth.

Through “ [Starry version]” there is the idea of Universal purity, Orion the Hunter, natural constellations, molecular detail and telescopic beauty.

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Oak Branch Astronomy

‘Kinin Valley’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Imagine NASA has just this second received new images from their distantly galactic travelling satellite probe. Kinin Valley, shown above, could have been photographed 100,000 miles from space. Detailing its epic landscape of cavernous valleys and Mars like red rock formations.


‘Nebulaic Cyclones with Wormhole Striations’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

As the deep space probe passes over this alien lunar surface we see a huge meteor has struck an immensely dry area to our left in the above image, Nebulaic Cyclones with Wormhole Striations. Upper right we can make out what appears to be storm scars of ancient water erosion.

At the lower mid section of the image we observe heavy sloping, a natural quarry descending downwards towards us. An alien species has perhaps eaten into the landscape in worm-like striations, burrowing strange etches into this now lifeless moon.


‘The Helix Whorls’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

NASA gathers together a team of specialist scientists to categorically figure out ‘The Helix Whorls’ phenomenon.

A time traveller probably visited last Wednesday, one million three hundred thousand years ago, at a time when sturdy shell covered creatures roamed this moon’s macro-phasic atmosphere.


‘Robur Canyon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Mythical legends have spoken of monsters lurking in structures exactly as described in Robur Canyon. Dark matter without discernible mass, form or measurable depth causes disenchanted quietness upon anyone approaching its entrance ways – shown above, to the right and lower right, at two distinctive places.


‘Inescapable Monster Moon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Similar in idea to our own Man in the Moon, this image conjures a vivid resemblance with the terrestrial deep sea Fangtooth, Anoplogaster cornuta. Actually the pit to the lower left could be 20,000 feet deep!

Imagination is Art.

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type: The Unfathomable Artist

‘type: The Unfathomable Artist #1’ [19th February 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 and Times New Roman fonts, 7016 x 4951 pixels, 600dpi, A4 Landscape format.

Digital Pop Artworks digitally produced to technologically articulate the need for global climate change policies.

Subtle version two shown immediately below, with the future idea to create written words and iconography throughout the blue canvas space:

‘type: The Unfathomable Artist #2’ [20th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 font, 4412 pixels x 3981 pixels, 600dpi, A4 Landscape format.

Version three with Times New Roman ‘type’ font and ITC Kristen chosen for the main green yellow alternating Unfathomable text shown below:

‘type: The Unfathomable Artist #3’ [24th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, Times New Roman and ITC Kristen fonts, 7016 pixels x 4961 pixels, 600dpi, A4 Landscape format.

At the time of editing this page on 24th May 2020 I have started work on two oil paintings for my ‘type: The Unfathomable Artist‘ series of pop artworks.  The blue screen backgrounds are already completed.  I’m waiting for the refined linseed oil mixed within the oil paints to dry before adding the painted fonts.

I’m likely to choose version #3 as the first oil painting artwork for me to finish.  Then version #1, as seen in these Digital Pop Artworks.  The blue backgrounds already look delicious.

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