‘superconductivity’ text for blog article. Please note this is not a formal artwork :} currently.
I’ve chosen the title ‘Soundwaves with Steel Spun around Copper’ as this makes for a wonderful artwork. An artwork as yet conceptualized by me with dramatically commercial applications in mind.
‘I was greatly interested in Gravity, so I wrote about this. I was greatly interested in soundwaves and the sonic boom, so I wrote about this. Some weeks ago “i saw a buzzard flying overhead, near over my house. It made its call. Eureka. I saw its wingtips and from this i determined soundwaves could be changed by engineering the surface ⚡”. Now I’m considering superconductivity.’ – a digital writing of September 23rd 2019 1555hrs.
My true parallel of that beautifully squawking buzzard is, of course, referring to the sonic boom.
Let me please share some further thoughts with you dear Readers.
Instantaneous and visceral thoughts as I write:
‘Some days ago I was thinking about steel spun around copper ⚡ The concept is for a stronger material super compacting a conductive ‘element’. Its a theory requiring physics, engineering and electrical experts to quantify‘ – a digital writing of November 8th 2019 1121hrs, following my personal thoughts days before.
I literally imagined how a spider produces silk, extrapolating the idea for superconductivity.
My aforementioned quotation arose directly due to my interest in solving a superconductivity problem.
Wikipedia explains superconductivity as follows:
“Superconductivity is the set of physical properties observed in certain materials, wherein electrical resistance vanishes and from which magnetic flux fields are expelled.”
My immediate thoughts aforementioned of November 8th 2019 1121hrs were explained, fore and aft, as follows:
‘… superconductivity works historically at {local} Universal space temperature. Very interesting. Possibly a safety net(?), I think. Idkw, exactly. Does SC require contraction(?), super exerted pressures(?), compaction(?). Is it extreme cold or merely the atomic structural change {with the temperature changes}(?) It’s likely the latter.’ – a digital writing dated September 23rd 2019 2238hrs.
‘Do you think there is a light we as humans have yet discovered? The basis being just as infrared and ultraviolet was fairly modernly discovered, so too a new type of light is yet to be discovered‘ – a digital writing also dated November 8th 2019 1142hrs.
‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist, Carbon pencil on 160gsm A4 Gouache paper. Digitally edited photograph.
‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist is very much another art experiment with sound and seismic waves in mind.
Here is the first version I did in blue ink pen:
‘Multiple Seismic Waves [first version]’ [2016] by Matt The Unfathomable Artist, Blue ink on A4 paper, artwork whereabouts unknown.
The first version is currently ‘missing’. I really don’t know where it is!
I might like to varnish some or all of my sketches.
My second version of the ‘Multiple Seismic Waves’ series includes varying frequency waves, as follows:
One full page seismic wave centrally placed. Twenty three clearly visible smaller seismic waves. Finally, there are also some lovely lightly penciled full page high amplitude, oscillation styled, long wavelength patterns too.
I love these artworks for all the conceptual ideas they contain.
‘Forget-Me-Nots and The Bee’ [2010] by Matt The Unfathomable Artist, Oil on canvas, 24 ins x 18 ins.
I’ve decided to share ‘Forget-Me-Nots and The Bee’ [2010] by Matt The Unfathomable Artist having, only this year, recently seen Van Gogh’s ‘Roses and Beetle’ [1890] painting here:
‘Roses and Beetle’ [1890] by Vincent van Gogh, Oil on canvas, 33.5 cm x 24.5 cm.
I painted ‘Forget-Me-Nots and The Bee’ using a photograph from 2003. Here is the photograph I took that day having set my camera onto a tripod, waiting hours for the best photo opportunity:
Photograph dated 2003 from a home garden, inspiration for ‘Forget-Me-Nots and The Bee’.
The bees kept me busy following them around from flower to flower, as they never sat still, haha.
I had not seen ‘Roses and Beetle’ by Van Gogh at the time of producing my artwork. I love that artists wish to explore nature and produce classical compositions all their own.
Van Gogh’s painting has encouraged me to share my earliest painting experiments.
Interestingly the way I signed this painting has its earliest roots from my high school art class. That’s the way I used to sign my high school artworks 🙂
My art teacher said she loved the way I’d created my signature. ‘Creative Mind’ has my full signature, whilst my latest artworks are stylistically signed ‘Matt’.
‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins. Please note the lower right artist’s signature is not shown in this photograph.
Detailed photography [01] of ‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins.
Detailed photography [02] of ‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins.
Detailed photography [03] of ‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins.
Detailed photography [04] of ‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins.
Detailed photography [05] of ‘Creative Mind’ [completed Summer/Autumn 2012] by Matt The Unfathomable Artist, Oil on canvas, 36ins x 28ins.
I hope you love my oil painting artwork ‘Creative Mind’.
I have produced a series of Pop Art oil pieces on A3 light textured paper entitled ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.
Here is the Aquamarine version:
Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Aquamarine, 25th April 2019] by Matt The Unfathomable Artist, Aquamarine oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.
This is the Red Ochre #1 version:
Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Red Ochre, 26th April 2019] by Matt The Unfathomable Artist, Red Ochre oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.
.. and here is the Sap Green version:
Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Sap Green, 26th April 2019] by Matt The Unfathomable Artist, Sap Green oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.
The phantasmagorical concept emanating from this Pop Art ensemble is to mix artistic persona with fluent ecological conservation. To help inspire the need for cultural, societal, economical and environmental change linked to our beautiful Earth planet.
I like the idea ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ carries within various layers of meaning. For instance if someone says, we can’t solve this, it’s too difficult, it cannot be done, then we quizzically reply, ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.
To drive true change we need new behaviour to accomplish whatever is necessary, environmentally speaking. Art can motivate, encourage, nurture, grow, develop and achieve unimaginably positive solutions we just didn’t think possible.
‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.
Some have wondered at the random placing of words onto the A3 paper with regards to the use of ‘canvas’ space. Aquamarine naturally aligned centrally. Red Ochre (#1 of #2) shifted right, whilst Sap Green ascended higher textually than the preceding colour oil works.
Perhaps this is the result of pure chance, coincidence. Or possibly preposterously we can read formulaic thinking into the letters. After I completed the art pieces, super happily viewing them drying late evening, I couldn’t help notice the positioning of certain letters:
Y over O in ‘Aquamarine’,
Y intersects B in ‘Red Ochre #1’,
Y is a constant over MA in ‘Sap Green’.
T required calculation.
Likely astronomers, engineers and mathematicians can help explain the correlation to us.
I discovered the artworks of French painter Marcel Dyf whilst viewing the social media of an art blogging site. A warm thank you to all creators and supporters of our mutual enjoyment for international Art.
Please enjoy a video of Marcel Dyf’s artworks courtesy of Learn from Masters on Youtube, video above. I’ve also created a poem inspired by Marcel’s artworks to share with you entitled Sacré Ciel.
“Sacré Ciel” a poem by Matt The Unfathomable Artist:
You can download either of these same-said links for further research at your own leisure.
‘Christ in the Wilderness‘ [1872] by Ivan Nikolaevich Kramskoi, Oil on canvas, 180cm × 210cm.
‘Laughter! Hail, King of the Jews‘ [1877-82] by Ivan Nikolaevich Kramskoi, Oil on canvas, The Depth vs The Height.“Imagine, really: there is a guy who says – only I know where salvation is. Well … fine, let’s dress him up as a jester-king … and seeing this show, everyone, everyone who was there roared with laughter … ” quotation by Kramskoi himself.
“I used to cry in the most Northern Place of My People. They would see me and they would cry heavily with me in their hearts. My People are in the East and the South Places too. I have My People in the Islands throughout the Divers Places and in the Western Places where the Elk calls out like the Angel that made them strong.”
The Unfathomable Artist holds no specific political or religious affiliation other than with persons retaining the utmost moral regard for life.
‘Wintry Sparrows‘ [latter half of the 11th century] by Cui Bai, Ink and colours on Silk, 23.5 cm (9.2 in) height x 101.4 cm (39.9 in) width, displayed at The Palace Museum, Beijing, China.
Let’s begin by imagining that any quote I include in this article is being spoken to you in an unemotional voice like that of a fully functioning mechanised Robot.
For instance…
– *Hello, my name is Kuǐlěi Móxiàng*
Please familiarize yourself with this Wikipedia link about superlative 11th Century Chinese painter Cui Bai [link here].
Also excitedly view the extraordinary mechanical genius of Japan’s 19th Century engineer and inventor Hisashige Tanaka:
[Video published by The Asahi Shimbun Digital, Japan – ]
Further detail about Tanaka’s ingeniously made creations can be activated by clicking this link regarding The Myriad Year Clock [here]. I will feature The Myriad Year Clock again later whilst reading this article.
On the morning of 6th September 2018, after I walked upstairs into a first-floor bedroom, why look, several sparrows were sunbathing on my window ledge. Brown wings fanned outwards, squat like Sumo’s upon the Earthling-moulded platform supporting their well-fed bodies.
Perceivingmy close proximity through the ledge window, they all took flight with one accord.
In the past I’ve watched sparrows completely ignore my Labrador dog in the garden, both oblivious of interest toward each other. I’ve watched greedy Wood pigeons fly directly over ground feeding sparrows, a matter of mere inches to hoover up the available food. Again, oblivious to each other.
They perceive, understand. My mind fathoms such things all the time, each day.
Did I ever tell you, *I love Art* <= electronic statement without question.
My opening introduction is to applaud imaginative human concepts of art and physical craft dating back aeons ago.
Those Cui Bai – ‘Wintry Sparrows’ could have easily been perched upon my window ledge; and despite a thousand years of time his sparrows would look no different to the aptly named House sparrows I joyously visaged that same said morning.
*raises eyebrows open mouthed in sheer euphoric delight* <= my face when I saw those amusingly adventurous sparrows.
*Erm*, chewing non-descriptively on a carrot, *you are still playing the Robot voice game, right?*
Cui Bai’s sparrows are typically busy, playful little birds. Scouting food. Encouraging congregation as if resplendent branches are offices, homes or la-la-larders.
*silly cat, silly cat why can’t you find us?* – they tweet melodically, Robotically, in our fun game.
As friends.
We can think of sparrows like ‘antiquitous’ carriages in construction, for there are many kinds. Wood being one of their most favoured sitting positions, mostly in the high places.
The individual species of sparrows are listed immediately below, with modern Chinese sparrow species highlighted in bold.
You can quickly ISBN scan *bloop.. bloop..* over these species to continue reading my article happily thereafter:
‘Magpies and Hare‘ [circa 1061] by Cui Bai, Ink and colours on Silk, 193.7 cm (76.2 in) height x 103.4 cm (40.7 in) width. Currently at National Palace Museum, Taipei.
We see both personality and interpersonal communication within ‘Magpies and Hare’ by Cui Bai, who was also known as Cui Bo.
Goodness, everything is alive in Cui Bai’s artworks. True animated mastery. It looks as though we could roll down the hillside like children. The oriental breeze meets delicate leaves. The Magpies appear to be at odds with the hare, squawking their disapproval at Hare’s presence.
Hare is bemused by their intolerance, *I just want to eat my greens, Magpies, for my belly is yet full.*
The branch work sinuously interesting. The furrows provide depth. Right-sided shadows, particularly on Hare, turn 2D imagery into three dimensional painted realities. Sporadic grasses likely hint at Hare’s immutable softness. Positional height and strength of the dominant tree shrub explains the harsh vantage point of the Magpies.
It could also be said the Magpies are defending their nearby home with vigour.
Either way, Hare isn’t harming anyone.
Hare, Tortoise, Turtle, Giant Panda, Sparrow, Crane or Gibbon.
The magnificent one, two, three, four, five, six, seven.
I’d like to conclude this article for you with a very special arrow, “The Arrows That Entertain Us“:
[Video clip courtesy of NHK Japan, about modern Japanese watchmaker Masahiro Kikuno].
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The Unfathomable Artist 