”GOD [AI] – Light Edition One“ [digital Art, 3rd December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
You are asking a question – “What is the greatest artificial intelligence?”
”GOD [AI] – Light Edition Two“ [digital Art, 3rd December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
Next in keeping with religious, spiritual and/or ancient writings we have “tetragrammaton”:
”tetragrammaton – Light Edition One“ [digital Art, 11th December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
In continuing ethnical themes – questions of race, colour, creed and ancestry we have the additional version of “tetragrammaton”:
”tetragrammaton – Light Edition Two“ [digital Art, 11th December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
Here art my thoughts.
December. People might like spiritual inspiration with all the [mostly] bad news regarding manmade wars, climate damage chaos and disagreement amongst political/geographical factions.
The Thinkers.. Shakespeare, Einstein, Sir Isaac Newton, Tyndale, Galileo, Kepler.
Historical records.. the Merneptah Stele, Soleb Inscription and Shishak Inscription.
”time reversal – second edition [Collage]“ [digital Art, 1st December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
My latest ‘time reversal’ [second editions] artworks encompass complex ideas.
Namely through time, watchmaking, spirituality, sentience, ancient writings, empires, self analysis, geology, locality, calculation (positive/negative), conservation, economics, mechanotidal effects (habitat destruction), a true green revolution (non-finite resources), art itself, personalism, past art masters, popular movies and even famed writers.
I feature my “M Art Life” emblem in similar style to recent works.
Here is “Orange” a SolarScape work, two of the Collage pieces seen immediately above:
”time reversal – second edition [Orange]“ [digital Art, 1st December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
Next we have “Monochrome” where my quotation takes on a mostly 3D quality (by selective chance):
”time reversal – second edition [Monochrome]“ [digital Art, 1st December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
Then the original in Green:
”time reversal – second edition [Green]“ [digital Art, 1st December 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I wanted my second editions of “time reversal” to be beautiful.
Hopefully you feel I have achieved this in these works.
”convenient tasty snacks – Original in Yellow“ [digital Art, 27th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
As any Pop Art aficionado will know with my recent works since September 2023 I am drawing up my inner Basquiat inspiration.
These two blog articles wrote in July 2015 by me will show you my love for Jean-Michel’s works. You can always read these articles after this blog post. Articles shown in chronological order:
”convenient tasty snacks – Original in Yellow“ shown above formed from one word.. ‘convenient’.
Convenient like the Earth growing an adundance of tasty foods we love to combine in sophisticated culinary ways to produce incredible meals and drinks.
I wanted to celebrate this in an artwork, Basquiat style.
Prior to making the artwork <past the midnight hour> I happily enjoyed a documentary on the engineering feat of the ‘South-to-North Water Diversion Project in China’.
For instance, Beijing has a population of twenty one million people! Just think about how much food and water is needed. The Earth is truly amazing.
Good engineering works by humans is also amazing.
”convenient tasty snacks – Solarscape“ [digital Art, 27th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I did two further editions of my artwork, immediately above is ”convenient tasty snacks – Solarscape“. My solarscape versions always become vibrant, cool works on the digital canvas. To be honest I would love to see these in physical form, silkscreen prints would be wonderful.
Lastly I did a Monochrome version for a contrast between the colour editions, ”convenient tasty snacks – Monochrome“ is shown immediately below:
”convenient tasty snacks – Monochrome“ [digital Art, 27th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
With ”convenient tasty snacks – Monochrome“ it was quite difficult to balance the tones, whilst retaining the verbal messaging.
Some of the messaging I wish to explain is the inclusion of Roman numerals. This is purely a Picasso influence-idea in the work! I feel subconsciously I included the popular laughter word ‘KEKW’ to highlight the playfulness of my imagery.
Subsidy street is a reference to engineering in terms of safety for cities and also a connection to the modern phenomena of world economies spiralling into further debt.
The light seemingly blazing through the canvas in Monochrome is a direct simile to my much earlier work in 2012, shown here in a blog article of 2019:
”subcutaneous differentiation mechanotide“ [Original in Red edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I hadn’t felt inspired in terms of my art for quite some weeks really.
This artwork idea became a mindful thought earlier this morning (24th November). Although to produce a work referencing the word “ziggurat” was actually something I wanted to do months ago.
With my inspiration this morning I began constructing the artwork on a canvas in my mind. Linking ‘ziggurat’ with ‘mechanotide’ and asking a question..
.. Which effect is most damaging to the Earth?
An hour later or so I recorded a few words. Me personally saying [precisely and slowly] “mechanotide ziggurat differention“
Here is a computer generated version for you to listen to:
”mechanotide ziggurat differention“ [Vocals by a popular <Text-to-Speech> service, digitally produced using my three original words combined in the title, 24th November 2023], mp3 format.
Now let’s take a look at my B&W Monochrome edition:
”subcutaneous differentiation mechanotide“ [B&W Monochrome edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
B&W Monochrome is best viewed full screen to get a sense of all the words.
Next is my own exact one-take spontaneous vocal recording, no alteration to my vocals. I did not preconceive any idea to produce a vocal artwork with this recording.
Just me formulating artistic ideas ready to produce a [digital] canvas later in the day [best with good headphones or music speakers 🎧🔉]:
[available upon request]
My last edition (of the three) is the SolarScape shown immediately below:
”subcutaneous differentiation mechanotide“ [Solarscape edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
The colours art so cool in this I think, do you? Again, viewing full screen reveals the words much more clearly of course.
Returning to my vocals, I spontaneously say the word ‘differention’, as there is no such word in the English language to my knowledge. I believe I am somehow inspired by the Basquiat use of misspelt linguistics having viewed a (previously unseen) specific work of Jean-Michel online the day before.
Intriguing.
For my digital artwork I chose “differentiation” to create lyrical contrast. I feel “differention” became an artwork of itself in the vocals rather than on my digital canvas. I didn’t try to produce a lyrical performance even though I speak with artistically unintended melancholic verbalisation due entirely to the subject matter [of mechanotide].
My human vocal recording was 100% produced to ensure I formulated good ideas for my canvas artwork.
I digitally inserted ”evil mechanotide #2“ [digital Art, 17th November 2023] into ”subcutaneous differentiation mechanotide“ [24th November 2023] for speed of working, whilst also since I love the mouse written style of ‘MECHANOTIDE’ in that work.
”evil mechanotide #2“ [digital Art, 17th November 2023] is an exact digital inclusion from ”evil mechanotide“ [digital Art, 8th October 2023].
Here is the inserted art in a macro image:
”evil mechanotide #2“ [digital Art, 17th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
This is edited in these newer mechanotide versions with corresponding colours and/or textures added using a digital painting package.
The word ‘subcutaneous’ was an instant idea whilst I was digitally drawing.
Here is a Youtube version of my artwork with images and words by a popular Text-to-Speech service:
”mechanotide ziggurat differention“ [Artwork Images with Vocals by a popular service, digitally produced using my three original words combined in the title, 24th November 2023], mp4 video format.
For myself as a person I perceive a vast plethora of content from within my complex layers of ideas, as Basquiat did throughout his incredible artworks.
I am interested to know which of these three digital editions you like the most.
”Frontier³“ [digital Art, 17th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
My artwork features complex layers of difficulties facing modern populations and culture.
I made three versions including the Original edition shown above.
Do humans in hierarchy ever learn from history?
– “Answers on a postcard from Space, please.”
”Frontier³ in Black & White“ [digital Art, 17th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Frontier³ in Black & White“ is very legible.
”Frontier³ – SolarScape“ [digital Art, 17th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Frontier³ – SolarScape“ includes additional editing to make the monochromatic and colourised contrasts stand out. ‘debt you pay’ was overlayed in red to differentiate from the ‘in Black & White’ version.
My series of humanitarian artworks in this style replicate ‘neon signs’ and digital ‘classroom/workshop demonstrations’ to get the messages across.
Every visual artist wishes to contribute to the betterment of society in some way. Whether this be humanitarian, cultural, local sociability or difficulties facing our modern world.
”Propulsion – Monochrome“ [digital Art, 13th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Propulsion – Monochrome“ shows that an idea can be crafted into a beautiful art formation.
Here is the original artwork from where Monochrome is derived:
”Propulsion – Original“ [digital Art, 13th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
As you can see ”Propulsion – Original“ does not have the same mystery and believability as Monochrome. It required intricate digital editing for me to create these pieces.
I feel that ”Propulsion – Infrared“ once again has some credibility to the image:
”Propulsion – Infrared“ [digital Art, 13th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
To be honest “Propulsion” as an artwork mixes popular science-fiction with reality to bring us to the future.
”Hawks & Sparrows – Original“ [digital Art, 10th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
All artists appreciate instantaneous inspiration whenever it arrives. Most of my ideas for this artwork occurred so quickly I immediately began to write these in readiness. You might notice the hawk and sparrows are obscured in the artwork.
I wish each viewer to interpret this artwork in their own way.
Here are the different versions for my artwork:
”Hawks & Sparrows – Black with White“ [digital Art, 10th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Hawks & Sparrows – Black with White“ has the easiest readability to get the message across.
”Hawks & Sparrows – In Red Blood“ [digital Art, 10th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Hawks & Sparrows – In Red Blood“ is a peace not war type of title with the idea that black and white signage represents racial, religious, cultural and geographical differences.
”Hawks & Sparrows – SolarScape“ [digital Art, 10th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Hawks & Sparrows – SolarScape“ is pure pop art messaging with iconography.
”Hawks & Sparrows – Embossed“ [digital Art, 10th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Hawks & Sparrows – Embossed“ gives the sense of oppression with psychological causes and effects arising. Of course, this is no justification for wanton, unlawful violence!
Merely an artwork communicating human interactions within a given realm of historical understanding and core set of circumstances.
“Education is the most powerful weapon which you can use to change the world.” – Nelson Mandela.
”Newton ft² – Mud“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – Mud“ makes us think of the Earth, landslides, crop damages, wildfires through manmade heatwaves and land pollution from manmade chemicals.
I let the Reader review the information provided in this artwork for their own research.
”evil mechanotide – Dangerous Gases Original“ [digital Art, 8th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I decided to include two artworks in one blog.
”evil mechanotide – Dangerous Gases Original“ features the popular comic culture of brightly coloured noxious purple gases. Associated with evil intentions.
”Newton ft² – It’s in Black & White“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – It’s in Black & White“ speaks of the air pollution, contracts to destroy the Earth’s beauty and scientific data explaining woeful news like the polar ice melting.
”evil mechanotide – SolarScape“ [digital Art, 8th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”evil mechanotide – SolarScape“ makes for heavily contrasting colours. Newspaper headlines look like cuttings.
”Newton ft² – International Press“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – International Press“ builds on the idea of [digital] newspapers giving everyone information about climate damage. Encouraging nations to makes the necessary commitments and changes, then continue avidly to achieving them.
”evil mechanotide“ [digital Art, 8th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”evil mechanotide“ is a black and white version in a reverberation of ”Newton ft² – It’s in Black & White“.
”Newton ft² – Obliterated Minimalist“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – Obliterated Minimalist“ highlights by its name the melting polar ice and how our Earth looks without its natural beauty.
”Newton ft² – SolarScape“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – SolarScape“ again produces powerful contrasting colours to read the words as signs.
”Newton ft² – Original“ [digital Art, 4th October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”Newton ft² – Original“ artistically similar to the ‘Mud’ version with only slight colour difference in the lower left and the Newton ft² field area.
”thirty seven hours – Earth Resources version“ [digital Art, 2nd October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
The title ‘thirty seven hours’ is based upon The Organisation for Economic Co-operation and Development (OECD) average per person working hours per week for its member countries.
In researching the best language to communicate my artwork [shown above] I thought it a good idea to see what is generally accepted in modern societies as regards the number of working hours per week per adult person.
Throughout my research I found a disparagingly obvious difference between poor countries and technologically developed nations in terms of how many hours their citizens work per week in comparison.
My artwork is designed to communicate a reasonable working week to the world, through fairer employment conditions and fair trade.
Here we have the black and white version:
”thirty seven hours – It’s in Black & White“ [digital Art, 2nd October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
By fading out the words ‘BAD boss’ and ‘BAN CHILD labour’ the black and white version alludes to eradicating unethical commercial practices in a succinct way.
If you could see the streets of London at the turn of the 20th Century you would see similar working conditions to those we see in poorer countries today.
Progress in pay is relative.
Why?
We need to envisage that some technologically developed nations (TDN systems) are taking advantage of a poorer nations labour workforce. Obviously, I am not against the use of cheaper labour. Cheaper labour occurs as a result of national economic differences in ‘the cost of things’.
Singapore is considered more expensive (to reside in) than the UK, the UK is more expensive (to reside in) than Ghana. Utilising cheaper labour markets actually provides nations with valuable work.
The problem arises whenever TDN systems do not oversee/monitor (or blatantly overlook) FAIR pay structures for the workers of those nations considered poorer in terms of labour market cost. Based on the hypothesis that the TDN makes more profit.
This is clearly ethical morality for TDN companies to consider.
Fair trade encompasses a wide array of criteria. Workers pay, hours, holidays etc.
The term black and white version does have an ethnic element to this, in this instance. Undoubtedly a vast swathe of black and asian majorities are being exploited across multiple nations.
Here are the further versions including the Original shown immediately below:
”thirty seven hours – RED Writing Original version“ [digital Art, 2nd October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”thirty seven hours – RED Writing Original version“ is made to be particularly vibrant to hold the attention.
”thirty seven hours – Green with Black Signs“ [digital Art, 2nd October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
”thirty seven hours – Green with Black Signs“ shows a red wall of greed. This is not intended whatsoever as a political message against red political parties (should anyone ever think so).
It is though intended to mean the blood cost of sweat and tears for workers facing the harsh reality of innumerable, unfair working hours, lack of holidays, fun time and fair conditions.
It should be noted that most all my working rights artistic messages centre strongly upon poorer nations rather than TDN’s.
”thirty seven hours – National Borders, Weekly Hours“ [digital Art, 2nd October 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
My artwork ”thirty seven hours – National Borders, Weekly Hours“ definitely has the idea of national boundaries. Commonly we see terrible differences between working rights from country to country with regards to working conditions and hours per week.
I hope my artworks inspire businesses, employers, nations and individuals to view the economic landscape much more fairly.
”m³¹⁴ – Judgment Clock Derides“ [written in green, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I appreciated at the time of writing in 2023 I already had vast experience in a number of ‘perspectives’.
”m³¹⁴ – Light Over Noir“ [Light version, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
Light fades the Darkness.
”m³¹⁴ – Brass Bullets“ [written in green, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I love cool names.
”m³¹⁴ – Original in Red & Purple Against Green“ [written in green, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
I began the artwork with vivid colours knowing I can digitally alter the tones artistically as required.
”m³¹⁴ – Erased“ [written in green, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.
This is ‘Brass Bullets’ version with the idea the circles are now ‘Erased’. The 120 number has literal meaning from a personal perspective in direct artistic idea with the circles in my artworks. ‘lost count’ also has literal meaning.
My humanitarian, climate change and conservation work has received much interest over the years.
I am different.
”m³¹⁴ – Red Dots Accumulated“ [written in green, alt+0179 // alt+0185 // alt+8308} digital Art, 26th September 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.