Eliseo Miciu – Arte Fino Fotógrafo

‘Cruce del en pasarela sobre el rio Mayer’, Santa Cruz, Patagonia.

From the website of Eliseo Miciu [Eliseo’s Website] we read that Eliseo who was born in Uruguay ‘grew up in the hills of Cordoba between the paint brushes of his grandfather, Konstantino, and the palette knives of his father, Georg.’

Eliseo himself is a master Fine Art Photographer – one of the very best I’ve seen.

When I personally look at photographs my analytical thinking is brought to the fore.  Immediately I begin to define compositional structure, artistic level, technical merit, method, subject material and inherent meaning.

It’s fair to write that Eliseo Miciu is the Monet of modern photography.  Please take a super-quick-for-now preview of Eliseo’s Instagram page.

Next, please see, in Spanish ‘Cruce del en pasarela sobre el rio Mayer’ translated as ‘Crossing the walkway on the river Mayer’ in English, shown above. 

In this superb photograph Eliseo draws upon his vast technical abilities.  We’re talking about a seriously skilled photographer within this article.  Capable of effortlessly photographing dignitaries and Royals.

And YOU, yes YOU too.

Eliseo would find the you within you.

Like the Bowerbird and a Well by activating depth.. of.. field.  Yes, Bowerbirds actually use forced perspective  to showcase their art.  We can understand this better by reading the article National Geographic – Bowerbirds using forced perspective by Ed Yong.

When the bucket of a water well descends the earthen depths, the object becomes smaller, less comprehensible to us.  Angles, Perspective and Light.

Perhaps read The La Thangue Angle to learn more about how artists might choose to construct their works.

‘lenga aguntando el viento en paine con cielo nuboso’

‘lenga aguntando el viento en paine con cielo nuboso’ translates as the ‘Lenga Beech Endures The Wind In Pain with The Cloudy Sky‘ in English – please see the windswept tree photo, above.

n.b. The Latin name of the Lenga Beech is Nothofagus pumilio.

Phonetical thinking from the Latin almost seems to transform the tree into a large mountainous cat roaring against the sky.

Defiant and Proud.

Or perhaps this represents the Southern hemisphere meteorologically warring against the destructive elements cast upon it?  What does this photo make you personally feel?

For all its pain ‘there is light approaching, for the dawn settles many a dispute with the night’.

‘Don Anacleto of the El Chacay ranch in Lago Posadas’, province of Santa Cruz, Patagonia, Argentina.

In ‘Don Anacleto of the El Chacay Ranch‘ shown immediately above we see an elderly man, his mouth obscured by his moustache, eyes speaking to us of hope.

Do we see in photographs what we wish to see?

For that matter do we believe what we want to believe, excluding certain facts to suit our preconceived ideas or to avoid inconvenience?

If you think about this photograph perhaps it’s saying to us that this elderly man’s work is done.  His hard work, all his secular efforts to the fruition.  Clearly he has lived a long life, and yet his viewpoint still sparkles beyond the artificial light glinting upon his eyes.

Don Anacleto is tough, weather hardened.  His aged furrows reflect the means of his outdoor job.

A macro style lens has likely been utilized in the Don Anacleto shot.  You can bring shutter speeds down to 1/125, 1/60 or below for portraiture.  If you’re learning the craft of photography a mix of natural aptitude along with imagining the shot you want is best.

Focus your mind, first.

Eliseo has decades of photographic experience, his work has been exhibited over 30 times in Argentina, Uruguay, USA and France.  Student Apprenticeships are not easy to attain, however, if you can work with a master photographer like Eliseo you would learn at a commensurate rate.

Practical and Theory all in one.

‘Manadas salvajes en las mesetas Cercanas a Bajo Caracoles’ del libro Tierra del Viento, serie Ariscos.

The photograph above in English translates as ‘Wild horses in the plateaus Near Bajo Caracoles‘ from the book Tierra del Viento, series Ariscos. 

Horses are immensely spirited animals.  Experienced horses can know your feet are not placed in the stirrups, rearing up to warn you of the impending danger.  Most all horses will test you, see if you’re worthy.  They will ignore you if you’re not or draw near to you if you are.

For the Battle and Order they have thrown themselves into the fray.

Eager.  Faithful.

The photograph above called Wild horses in the plateaus Near Bajo Caracoles‘ offers a new perspective, angles.  Natural light richly cascades the horses’ flanks.  Grey, black and white horses all together. 

Horses as one in unity.  Curious.  

Eliseo has expertly photographed scores of people, fauna and wildlife including work for the world renowned National Geographic.  His tree, mountain, sea, river and landscapes abound with beauty.  Eliseo’s style is a mixture of monochrome, colour and black and white.

With his artistic heritage of family painters Eliseo is all about the Art.  I’d already chosen to include Eliseo on my blog even before I had read about his artistic background.  The Art was leaping out, almost demanding of itself to be seen.  Eliseo is quiet-natured, strong and creatively astute.  Economical with his time.  Professional.

His website displays a self portrait in very brief time lapse.. his eyes blinking like the shutters of a camera.

What this speaks is that Eliseo is playing with you.  Inviting you into his artistic world.

For you to think, mull and digest his Art like fine food that is good for you.

Truthfully it’s no exaggeration to call Eliseo Miciu the Monet of modern photography.  Monet became so exceptionally skilled with paint brush and canvas that everything he produced is Art.

The skill, creativity and indomitable effort required to produce a Masterpiece is a combination of experiences.

A stream of thoughts.

Everything we see is a Masterpiece.

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The Instinctive Tom Watt

‘Martigues’ [2014} by Tom Watt, Acrylic on board, 32 ins x 32 ins.

Art commentators retain interest with artworks they admire.  I’ve been following Tom Watt’s work for a number of years now.  His oft colourful, strikingly-vivid style is thrilling.

A happy place.

Sunshine draws out colour.  Wavelengths equate to distance over strength multiplied by the light.

‘Martigues’ by Tom Watt reveals accentuated light far ground and overcast shadows near sight.  A masterpiece.

On my ‘to-do’ list is my insistence to produce an abstract that portrays electromagnetic waves in the order of the visible light spectrum.  Our eyes are naturally drawn to the separations of perceivable light.

I envisage this very idea in Tom Watt’s painting shown above..

.. as Impressionism incorporating elements of science.  ‘How supercool’ the artist exclaims.

The structures of the buildings are vibrant.  Full of character.  An optical invocation, real and imagined.  Notably contrasting hues is a regular feature within Tom Watt’s work.  So too is his instinctive and excitable painting dexterity.

We carry ourselves spirited to Tom’s selected vistas.

I think Tom would make an excellent squirrel.  Storing up sighted treasures carefully, pausing for thought then immensely busy with lightning quick activity.  Artists can learn from this.  Swift brushstrokes generate ultra-creativity.

Hey, you can call me ferret if you like.  It’s all good.

Highly attuned acuity.  A culmination of all our senses reflects the inner conscious, instantaneously superprocessing.

When you walk into a room.  As you explore sights.  Meet new acquaintances.

Enter The Artists Dimension.  Where, therefore, our brushstrokes become feelings.

Dot, dot, dot, Triple dashing work.

‘Port de Sanary sur Mer’ [2012} by Tom Watt, Acrylic on board, 18 ins x 18 ins.

Visual artists, photographers and cinematic Directors become masters of light.

‘Port de Sanary sur Mer’ by Tom Watt is a complex composition that requires the brain to arrange the subject material by concerted effort.  Some artists might shy from this difficult port view.

Experience always loves an intellectual challenge.

The towering shape yonder ground dominates.  Then we take in the small boats and begin to consider the elegant water.  Likely we’ve noticed the reflections upon first glance.  Happily returning to carefully conjure a different ambience through the fluid mirror of water.

Impressionist magic – things are sometimes what you want them to be.

The human version of a positronic mindset recalibrating itself.

Next we have ‘Cheese Seller’, pictured immediately below:

‘Cheese Seller’ [2008} by Tom Watt, Acrylic on board, 24 ins x 24 ins.

I chose to publish one of his noble Occupational Series of artworks not least on the strength of the workers quizzical facial expression.

The cheese seller cradles his specialist food wares close to his chest.  His flat cap speaks volumes as to a traditional craft.  Sleeves rolled up.  An intense look.

Is he about to offer his fine cheeses at a well bartered price?  Or is the cheese seller anxiously checking out the competition?

The beauty of an honest day’s work is in our grasp.

This is a worthwhile moment to feature the studio that Tom has formerly resided at, situated in the South-West of France.

Photograph courtesy of the artist:

Photo: The Artist Studio of Tom Watt in the South-West of France.

The fourth painting I decided to write about in this blog article is ‘Fete in Sète’ [2004], here:

‘Fete in Sète’ [2004} by Tom Watt, Acrylic on board, 9 ins x 9 ins.

The port of Sète on the Mediterranean is renowned as an attractive and lively tourist friendly town.  It’s clear to see why an artist would choose to paint here.  Especially as Tom actively searches for pleasing colour variations.

‘Fete in Sète’ has a palette mix of tones dark to light.  The focus is on the two protagonists in this picture play.  They’re working at their music.  Two hats compliment the beating drum.  Wind and percussion instruments side by side.  My earlier depiction..

.. a happy place.

Light is gently basking the left-side of our two deliriously oblivious subjects, almost like bees intoxicated by the serious business of honey production.  Busily enthralled with the fan fair.  The sweet music has moved them to savour the sounds along with the onlooking crowds.

Existing works entitled ‘Five Gondoliers’ [15 ins x 15 ins], ‘New Year snow Tregoux’ [24 ins x 24 ins], ‘Breton harbour reflections’ [29 ins x 29 ins] and ‘Eau de vie Maker’ [9.5 ins x 9.5 ins] could easily have been chosen for this blog article to review various talking points.

My blog is written wholeheartedly as a true dilettante of all Tom Watt paintings.  Once again a truly first-class artist makes me wish I hadn’t established the tradition of choosing only four paintings per article.

The charm of art is finding something personal within artworks.  Art dealers look for technical merits to the nth degree.  Tom Watt’s work has this quality in plentiful abundance.  Hints at his personality shine through his artworks time and again.  The sentimentality of art and its unique monetary value is inexplicably linked to ‘personality on the canvas’.

For a detailed look at a modern Impressionist painter at their very best I invite you to explore Tom Watt’s artworks beautifully displayed on his website: https://www.tomwattartist.co.uk/

That you’re reading this article.. you will become a Tom Watt fan too.

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