Having viewed John David Ratajkowski’s beautifully charming ‘Cow Tuesday’ art pieces online I thought it would be interesting for me to include “Cattle Walking At St Benet’s” by prodigious child artist Kieron Williamson.

Artists incorporate a unique personality and stylistic signature to their artworks.  Art experts know a John Ratajkowski artwork from a Kieron Williamson, a Basquiat from an Andy Warhol.

All masterful artists in their own right.

Where do I begin writing about an artist whom at six years of age was already exciting prospective buyers into making sealed bids for his artwork?

His lifetime earnings have exceeded £2.5 million.. and Kieron is still only 14 years old!

‘I guess’, said the movie veteran, that when you make a child genius we should always appreciate that their early talents have also likely been nurtured from a very young age.  Even so, they are undoubtedly born this way.

Like Justin Bieber musically.. and beyond.

“Cattle Walking At St Benet’s” is glorious.  Cows have that remarkable quality of looking at us pensively.  They’re immensely trusting.  Chewing the cud they couldn’t care less what was going on in another field, sheep grazing by their side.

Kieron’s artwork above captures the layperson’s idea of cows.  Aloof, awkwardly thoughtful and at great efforts in movement at everything until perhaps the Farmer calls.  That’s how I see it.

Then again, I breathe art every single day of my life.  Kieron and John too.

Immediately above is an astoundingly mature artwork by Kieron Williamson when he was just seven years old.  I encourage you to look online to see his people-in-rural-landscapes work.

This sunset pastel is one of my favourite sky scene artworks, ever.  I’m trying to bring forward words to describe here what I’m seeing.  Artists study artists and none more so than lifelong famed British artist David Hockney.

Therefore I can say that this sunset pastel has become ‘pools and portraits’ to the art world in my opinion.  KRW Esq, if you will.

The above artwork “Distant Cattle” contains intense drama.  The wind could be roaring any moment soon.  Those approaching clouds might loom as a thunderous downpour.  This painting is about our relationship with the environment.  How it makes us feel.

‘Urgency mixed with the oils of imperturbability’. 

Thanks Kieron, I’ve hyphenated this new saying as it sounded, dare I say of classic landscape art, inspirationally cool.

JMW Turner’s are cool.  And Hockney too.

Imperturbability, he said.  Oh how this most unusual word somehow reminds me of Roald Dahl and all his wonderful children’s books.

I continued to sit back in my chair whilst I first viewed “London Monotone Figure” on Kieron’s website:

http://www.kieronwilliamson.com

Anyone familiar with my photography will probably understand why for interconnective reasons:

Interconnective reasons of Imagination and Reality.

You see, at around 9 years of age I was by my own personal request gifted with a children’s book about spycraft.  It was for Christmas that year I think.

Can I please imagine that the solitary figure in Kieron’s painting is a spy vanishing into London’s misty void? Okay, he might be an old man.. in disguise?  Or a blind man tapping his way along the murky pathway?  Kieron’s painting allows artistic licence for our imagination.

Which brings me to my next interconnective thought..

..The 1927 film ‘Metropolis’ by Fritz Lang was my Dad’s favourite movie.  He owned the complete film on video.

The full movie is itself a work of art, inspirational even to this day.  I’ve no doubt my Dad saw a simile of his own mother and father in the film.  Yes a good likeness of character, a simile of my Gran and Grandad.  I’m absolutely certain of this.

M and the spy movie genre began to find its place in film art history.

“London Monotone Figure” is also a superior artwork.  Its simplicity and complexity.  A bluish-grey gun metal palette.  Mysterious, Spooky, Ghostly.  Absolutely charming, characterful and inventive of Kieron’s design.

Kieron Williamson is producing masterpieces in a consistent manner with the dexterity of past greats such as Carlos de Haes.

Here’s to a superb “Family Gathering” as we check the “View From A Window” at “Day’s End, Norfolk” just wishing for the “Blakeney Sunrise” to arrive.