“The Observant Squirrel” – sketch

“The Observant Squirrel” [11th June 2021] by Matt The Unfathomable Artist, sketch with 3H HB 3B pencils signed in black ink on A4 250gsm Artist’s paper.

This dear squirrel is composed from a video still photograph, curiously eating whilst observing me. The squirrel preferred a quiet supper it would seem.

Squirrels, otters, wolverines, honey badgers and raccoons all have distinctly comical personalities. Seconds after you see dear squirrel in this sketch, it drops the stick it was chewing upon and then, lightning quickly turning its head, looks directly at me.

As if to say ‘excuse me, sir, I am very busy doing squirrel things.’.

Naturally hilarious.

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“Buzzards Wood Hollow” – sketch

“Buzzards Wood Hollow” [9th June 2021] by Matt The Unfathomable Artist, sketch with 3H HB 3B pencils signed in black ink on A4 250gsm Artist’s paper.

I photographed a few compositions of the entrance to Buzzards Wood via the central hollow from Meadow Three. This opening is directly opposite to Ridge Willow and Wrens Wood. There are three additional entranceways into Buzzards Wood.

There are four pathways within and immediately surrounding Buzzards Wood. Whenever I’m writing regarding Buzzards Wood I’m usually referring to the Nature Reserve area. However, Buzzards Wood technically also encompasses the wood to the rear (bow, north) beyond the Nature Reserve itself, in my opinion.

Buzzards fly regularly over the meadows, woods, and towards the north, where there is a local fishing pond. The post at the lower right of my sketch actually used to be a wooden bench. I rather hope it is restored as a bench as this is a great sitting place, centrally in Meadow Three.

Further along to this bench is a ‘watervole ground stone’. Rabbits do seem to enjoy using the flat stone surface as a convenient toilet, haha. A ‘rabbit ground stone’ can be viewed inside Buzzards Wood at the pathway crossroads, nicely covered by the shade of trees to enjoy. Rabbits frequent all three meadows, the private land to the west and all around the 29 acre lake to the south.

Another ‘ground stone’ meets with you to the left as one enters Meadow Three from Meadow One, walking up a small number of steps.

My sketch style in this article strongly reminds me of the beautifully artistic childrens animations I used to watch as a boy.

In keeping with that theme I included fanciful eyes and faces, Picasso-esque, to add fun to some of these series of artworks.

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“the Rabbits of Ridge Willow – sketch one”

the Rabbits of Ridge Willow – sketch one” [28th April 2021] by Matt The Unfathomable Artist, 3H HB 3B pencils, signed in black ink on A4 250gsm Artist's paper
“the Rabbits of Ridge Willow – sketch one” [28th April 2021] by Matt The Unfathomable Artist, 3H HB 3B pencils, signed in black ink on A4 250gsm Artist’s paper.

“the Rabbits of Ridge Willow – sketch one” really is a very quick simple sketch from a photograph of a rabbit at Ridge Willow. 

I was stood still watching it lift up from its grass cover to chew some hay.

The first sketch session details were drawn ‘plein air’ in half an hour whilst I sat just in front of Ridge Willow, by their nearby burrow. 

This artwork is purely fun. Discovering there were rabbits actually living on Ridge Willow is a delight of nature.

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Biological Microscopy Art

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“Stentor with Chlorophyta” [20th March 2021] by Matt The Unfathomable Artist, HB 3H 3B pencils, blue (signed) and black ink pen on A4 paper.

Fans of art know I explore scientific explanations within my work. This is often interlinked with conservation, unique understanding or perhaps even technological innovation.

Viewing microbiology through the lens of professional online biologists, I became inspired to also co-represent the humble macro-organisms in our world.

The immense beauty, function and ‘simple complexity’ to be discovered in microscopic environments is profound.

Stentor with Chlorophyta” by Matt The Unfathomable Artist shown above is my first sketch on this very subject.

Ambiguous, inconceivable and non-descript. I believe this is the initial thinking we have regarding micro-organisms. Until we delve further.

In “Stentor with Stentor Dolphin” by Matt The Unfathomable Artist, second sketch shown below, I seek to add further imagination.

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“Stentor with Stentor Dolphin” [23rd March 2021] by Matt The Unfathomable Artist, 3B 3H HB pencils & black ink, signed in blue ink pen on A4 135gsm paper.

For instance, an organism might prove naturally efficient in behaviour, similar to a dolphin.

Micro-organisms are much more sustainable, environmentally helpful and purifying than some adverse anti-ecological human behaviours of the early 21st century.

The very reason why I chose to sketch natural micro-organisms with conservation in mind.

I do hope you enjoy these sketches.

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Aurélien Villette in Architecture

Verticality – Villa Borromeo d’Adda – Italia – 2012 by Aurélien Villette.

Staircases arranged into symmetric patterns have intrigued oil paint artists for centuries.

With the introduction of photography in the 19th century, photographers quickly began to explore this new technological media for artistic representation.

Villette is a French based professional photographer specialising in architectural subjects with a flair for dramatic colours, intelligent lighting and contemplation.

Aurélien Villette himself describes his work as a life journey. Finding truth in buildings, cultures and civilisations past and present.

I first noted his photographic talents for myself having seen “Verticality – Villa Borromeo d’Adda – Italia – 2012″ by Aurélien Villette (shown above) on his social media page – please kindly click the name link provided for Aurélien’s Instagram page including his business contact information.

As an artist I could see the clever use of lines, excellent technical ability and an immediate sense of spiritual thoughtfulness. His architectural print works carefully composed, directed and produced.

Petra – Jordania – 2019” by Aurélien Villette, shown immediately below, speaks an unknown foreboding.

The outside world colourful, vibrant and imaginable – documentatively contrasted against entry into a nether darkness.

The photograph clearly makes use of architectural beauty and visual anomalies.

Petra – Jordania – 2019 by Aurélien Villette.

Next in “Dogma – Santa Maria – Italia – 2018” by Aurélien Villette, (see image below) we see decay, abandonment or neglect.

Ruination where organic matter has rewritten the building’s original function, its purposed glory.

There is light beyond ruin.

Perhaps there is a new custodian to be found or has nature reclaimed its vestige?

With the great magnificence within this building it seems impossible to believe such architectural assembly could be in a deplorably uninhabitable state.

We likely ponder that nature has its proper place. Buildings require cultivation, due care and attendance.

What we see is ‘The Sphinx becomes as buried in layers of time as the Mummy in a purposed dual contrivance.

Dogma – Santa Maria – Italia – 2018 by Aurélien Villette.

Here in “Dogma – Klaster – Czech Republic – 2019” by Aurélien Villette, photograph immediately below, we’re invited to the spiritual plane of happiness.

There is plenty of room.

It’s light. Warm. Prettily decorative. Spacious enough to reach out and grow as living fauna receiving sunshine rays.

We can look toward the stars, Sing, Dance and Enjoy.

Dogma – Klaster – Czech Republic – 2019 by Aurélien Villette.

I encourage you to follow Aurélien’s photographic journeys to see what spiritual enlightenment there is to know through formulaic structures.

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“Ridge Willow” Artworks

“Ridge Willow 5800K – Natural” [digital photography 2nd March 2021] by Matt The Unfathomable Artist.

Walking along the manmade ridge adjacent to two ponds within my local Nature Reserve, I envisaged the sunlight producing some lovely photography.

I took a few shots on top of the ridge, then realised whilst standing at the lower side that the up-facing angle would create excellent visual contrasts.

The right-side shows a Basket Willow (Osier) in winter. There are green mosses and sedge plants dotted across the ridge too.

Interestingly the Basket Willow is planted in this Nature Reserve specifically for “effluent treatment.. for water purification..” due to the fact that..

“.. Salix viminalis is a known hyperaccumulator of cadmium, chromium, lead, mercury, petroleum hydrocarbons, organic solvents, MTBE, TCE and byproducts, selenium, silver, uranium, and zinc, and as such is a prime candidate for phytoremediation.” – quotation directly from Wikipedia.

As regards positive climate change, manmade global warming, resources efficiency and my conservation activism interests – the natural purification synergy adds to the communication value through these artistic representations.

Here is the “Yellow” version of the same photograph:

“Ridge Willow 10000Kx2K – Yellow” [digital photography 2nd March 2021] by Matt The Unfathomable Artist.

I like this version equally, 10000Kx2.

Then we have 3800Kx2 providing a much cooler looking image, immediately below:

“Ridge Willow 3800Kx2K – Blue” [digital photography 2nd March 2021] by Matt The Unfathomable Artist.

Here is my sketched version in blue ink pen on A4 paper.  This version is digitally edited to create a black and white version:

“Ridge Willow Ink Sketch – digital black & white version” [Blue Ink 3rd March 2021] by Matt The Unfathomable Artist.

My sketching style includes swirls and squiggles using numerable continuous lines to give the landscape effect.

It’s fair to write my Osier branches are mostly oscillations and overlays with fewer definitive straight lines.

Again, as with my most recent works, the use of Kelvin colour scale adjustments is purposed to represent our need to reverse manmade global warming.

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“Bremsstrahlung” Poem

“Bremsstrahlung”

“Air the quiet after a Caribbean storm,
Wind blown dust settled,
Soft breezy stillness.
Lightning enriched,
Charged particles, ionized happy 🙂
Fresh like Antarctican mountain snow,
Where gusts breach one hundred empirically,
Wolverine traverses Alaskan peaks,
with swagger-fleeted perfection,
The morning run,
in a City,
Bremsstrahlung.”

– a poem by Matt The Unfathomable Artist, in News Gothic MT, © 25th February 2021.

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“Wrens Nest Wood – 5800K” Kelvin colour scale photography.

“Wrens Nest Wood – 5800K photograph version”

Using photographic editing software, this blog article is created to represent directly adverse global warming effects upon nature.

The first image from my quick sketch study #1 in blue ink pen entitled “Wrens Nest Wood – 5800K photograph version” explains how digitally adjusting the ‘Kelvin’ colour temperature scale of an electronic photograph changes its visual pleasance.

For instance, ‘cooling’ the Kelvin temperature of my artwork photograph to 3800K (Kelvin, digitally edited) highlights blue spectrum hues {scientifically; wavelengths} in my artwork as seen here:

“Wrens Nest Wood – 3800K photograph version”

My Kelvin scale digital adjustment is similar to the light effect of the Sun – dependent upon its strength.

Determined via cosmic arrangement, age, velocity, angles, atmospheric conditions, elements, obstructions (local/spatial), cyclic rotations and proximity to Earth’s surface.

Viewing “Wrens Nest Wood – 10000K photograph version” below, we can feel the difference between each individual artwork – from the 3800K, 5800K and 10000K versions respectively.

Kelvin temperature scale has dramatic relevance in photography.

This article seeks pertinent correlation with Kelvin colour temperature scale and manmade global warming.

The latter indisputably documented, scientifically peer reviewed, journalistically communicated, referenced through tragic human experiences, economically reverberated, commercially disruptive, artistically magnified and politically emotive as an existential threat to life.

Natural beauty endangered in the context of visibly destructive cues.

“Wrens Nest Wood – 10000K photograph version”

Clearly my interest, artistically, from a conservational viewpoint is explicably linked to the origin of William Thomson, 1st Baron Kelvin‘s own scientific experiment.

That is to write, his literal burning {a block of} carbon to establish colour temperature as a unit of quantifiable measurement.

We see within this series of five digital photographs from my original “Wrens Nest Wood” [blue ink pen, sketch study #1 on A4 80gsm paper] the harsh environmental effect burning colour from our natural wooded landscape causes!

Let’s take a look at what happens when the 10000K {Kelvin} scale is digitally tripled:

“Wrens Nest Wood – 10000Kx3 photograph version”

… and finally, quadrupled:

“Wrens Nest Wood – 10000Kx4 photograph version”

The horrifying end result is seen in “Wrens Nest Wood – 10000Kx4 photograph version”.

Our beautiful ‘warm-yet-cold’ 5800K natural reference photograph now appears to have turned our wooded landscape into a seemingly uninhabitable charred version of itself!

We should all be aghast, chimes the climatic hour of need.

Bleak landscapes, leached of palatable homeliness.  Intensely devoid, unbearable to our science-faction eyes.

‘Dune’-like.

I hope you have greatly enjoyed my thought-invigorating artworks designed to assist with positive climate-change inspiration.

Now, more than ever, is the Time to exponentially reduce carbon, N0x and other pollutive manmade particulate materials throughout our worldwide environments.

Thank you dear Readers.

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“Amorevolously Sementine”

“Amorevolously Sementine”

“Shall we artigraph a fabrefaction,

quizzical of words?

Astoundi-animalation

historically un-absurd,

You see:

‘Singular malleation took the mammoth Steppe,

Although, here, in {two oh N0x}

it’s much less boscaresque,

Terra, Brine an’ Celesphere

quite an addled mess,

You’re verily mariturient

to beloved Earth,

Amorevolously sementine, nuturient

to such a worthy cause,

Tenellous of virtue

cleanliest Mandamus in hands,

Readied for natural ablactation

from tup pollutive course,

A magnanerie of fine Acatour’s

global through and through,

Brabeum of Bluest Mirth

heal ‘er rounded-straight and true.’ ”

– a poem by Matt The Unfathomable Artist, jpg image in Grotesque font, © 14th February 2021.

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“Baby Wren”

“Baby Wren” a poem by Matt The Unfathomable Artist:

“What are they doing? graviloquenced Baby Wren to her phrontist Mum,

“Ah, you see they defedated every thing,

they think the Earth’s an igniparous gun,

At the other end of what they started with,

is half of what begun!”

Baby Wren replied:

“Yes Mum,

I read dear Ursus Maritimus,

the Ephydriadic Bear,

they melted myriads of her sea ice with impigrity,

it’s now traboccantly rare.”

Conservation poem “Baby Wren” by Matt The Unfathomable Artist © 12th February 2021.

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