Galaxies Reverberation #7 #8 and #9

“Galaxies Reverberation #7” [30th May 2022] by Matt The Unfathomable Artist, drawing in H , HB, 4B and 8B pencils with charcoal (s) (h) pencils for contrasted detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image  3648 x 2606 pixels.

These artworks are Galaxies drawings, including galactic reverberation 📢.  The above piece features accentuated charcoal galaxial maelstrom-eyes with multi-diverse solar winds.

“Galaxies Reverberation #8” [30th May 2022] by Matt The Unfathomable Artist, drawing in H , HB, 4B and 8B pencils with charcoal (s) (h) pencils & sticks for contrasted detailing, including ‘da Vinci’ overdrawn geometric lines in (H) (HB) pencils, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image  3614 x 2622 pixels.

This piece immediately above features accentuated charcoal galaxial wormholes with non-time-dilation.

“Galaxies Reverberation #9” [15th June 2022] by Matt The Unfathomable Artist, drawing in H, HB, 4B and 8B pencils (including HB accelerated overdrawing) with charcoals (s) (h) for contrast detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image  3736 x 2657 pixels.

The piece shown immediately above features accentuated charcoal audio-galaxial resonations with output harmonics.

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‘Thy Glinting End’

“Rhythm taut flexed skin,

Phoenix constellated Xiaolin,

Grey troned electronic queue,

Washington imbued stately hue,

Accrued in silvric metalled smite,

Smelted gilded ladened kite,

Embark radared mineralled sight,

Warp’ed Traveller supered extra-Nigh,

Prospect ye illust-fabled crystalline bright,

Crush-cookied shaped girded lineal spars,

Soot tunnelled depth-charged night,

Terraquoised chasmed vultured sleep,

Shah-Khan, Bosi, Tanakh, Chi-Tewan,

Resonate volumed anti-quet Clan,

Green threaded strongheld quasi-Blue,

Mired Red wounded aged dread,

Of ye an’ ye thy Stratos fallened through,

Meat thou meeted glinting End.”

by Matt The Unfathomable Artist, copyright 9th December 2020.

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type: The Unfathomable… Artist – Electronic Version

‘type: The Unfathomable… Artist – Electronic Version’ [18th August 2020] – by Matt The Unfathomable Artist, dip nib pen using original iron gall ink recipe on A3 [180 gsm] Artist’s paper.

type: The Unfathomable… Artist – Electronic Version‘ is Basquiat inspired.

I would like to quote my own personal commentary regarding this new iron gall ink piece:

“Intellectually i’m really happy with this artwork. Only after did i think, ‘that’s why i put the jagged lines in‘ This is my first Basquiat style piece and i can honestly write i had no prior notions to make it a Basquiat in style until it happened 🎨❤” [bold italics added for emphasis].

The jagged lines top and bottom were added on the 14th August 2020 after I’d finished the central/vertical calligraphy.  Initially without the ‘black block ink and multiple lines’ you can see in the artwork photograph above – completed through impromptu ink work.

I literally didn’t know how to proceed with this artwork from thereon.  Actually thinking I might leave it as it was, adrift of any further inspiration or ideas.

After drying the piece for a few days I began spontaneously researching electronic circuit board diagrams with avid interest.  I’m familiar, decades past, with circuit diagrams through my Dad’s former occupation as a photocopier engineer and his [second generation] electronics expertise.

Electronic magazines featuring television and Hi-Fi circuitry, repair and assembly scattered all over the house.  Diagrams with capacitors, LED’s, transistors, LCD’s, transformers etc.  Viewing circuit diagrams is always a memorable and pleasant experience to me.  I laughed when I saw a multimeter photograph yesterday.  My Dad carried one of those around with him quite often.

For me, this artwork is a connection to the ancient and modern past, encapsulated with new hope for the future.

I’d like to share with you the electronic circuit diagram symbols used in my artwork including their relative placements:

fuse [rectangular box with zigzag lines – begins diagonally underneath the word ‘type’];

Anode/Cathode Solar cell Photodiode [line into circle with inner triangle-vertical-line and two ascending diagonally right-to-left down-pointing arrows – underneath the grammatical colon and letter ‘T’];

battery multi-cell [horizontal line with vertical line, vertical single dash line, vertical single dash line longer, vertical line with horizontal line – underneath the space between the words ‘The’ and ‘Unfathomable’];

dome light [horizontally represented domed light bulb with heart light element – underneath letters ‘n, f, a, t, h’];

tri-phase protective and neutral conductor [single line with ‘triple diagonal line’ ‘diagonal line with T line’ and ‘diagonal line with black dotted circle’ intersections – underneath letters ‘m, a, b, l, e . .];

solder bridge [two adjacent lines above-below with two split circles representing the solders – underneath the word ‘type’];

balanced terminals [two adjacent lines with two open circles – underneath and between the words ‘type’ and ‘The’];

electromagnetic shielding [large rectangle, shaped by line dashes – surrounding the word Artist];

constant current source or general transformer or obscured oscillator [line with filled black circle] and also [line with black circle with imperfect unfilled circle overlapping directly below – underneath letters ‘l, e’ ] – please note this latter symbol also has an unknown electronic meaning.

Reasoning is viewer-dependent, wherever conceptual plurality applies to positive and negative space.

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Triple Seismic Waves with Oscillation #1

‘Triple Seismic Waves with Oscillation #1’ [July 2020] by Matt The Unfathomable Artist, dip nib ink pen on A3 180gsm paper.

Spontaneously sharing my latest dip nib ink pen artwork using iron gall ink entitled ‘Triple Seismic Waves with Oscillation #1’.

Electronic oscillation produces pleasing visual effects.  This artwork seeks to replicate the idea in drawing form using my free hand technique for the curved lines.  I love scientific art.  Curves, electronics, seismographs, oscillators, earthquakes, sound waves, along with the beauty of artistic courses.

For this artwork I use a nib that creates a double ink line due to the noticeably distant ‘tines’ of the metallic nib.  The flow of ink is important with dip nibs where one is wishing to produce a continuous line across a ‘decent measure of time’ once upon the paper.

The effect of oscillation can been seen vertically in this artwork.

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Oak Branch Astronomy

‘Kinin Valley’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Imagine NASA has just this second received new images from their distantly galactic travelling satellite probe. Kinin Valley, shown above, could have been photographed 100,000 miles from space. Detailing its epic landscape of cavernous valleys and Mars like red rock formations.


‘Nebulaic Cyclones with Wormhole Striations’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

As the deep space probe passes over this alien lunar surface we see a huge meteor has struck an immensely dry area to our left in the above image, Nebulaic Cyclones with Wormhole Striations. Upper right we can make out what appears to be storm scars of ancient water erosion.

At the lower mid section of the image we observe heavy sloping, a natural quarry descending downwards towards us. An alien species has perhaps eaten into the landscape in worm-like striations, burrowing strange etches into this now lifeless moon.


‘The Helix Whorls’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

NASA gathers together a team of specialist scientists to categorically figure out ‘The Helix Whorls’ phenomenon.

A time traveller probably visited last Wednesday, one million three hundred thousand years ago, at a time when sturdy shell covered creatures roamed this moon’s macro-phasic atmosphere.


‘Robur Canyon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Mythical legends have spoken of monsters lurking in structures exactly as described in Robur Canyon. Dark matter without discernible mass, form or measurable depth causes disenchanted quietness upon anyone approaching its entrance ways – shown above, to the right and lower right, at two distinctive places.


‘Inescapable Monster Moon’ [copyright 7th May 2020] by Matt The Unfathomable Artist, digital photography.

Similar in idea to our own Man in the Moon, this image conjures a vivid resemblance with the terrestrial deep sea Fangtooth, Anoplogaster cornuta. Actually the pit to the lower left could be 20,000 feet deep!

Imagination is Art.

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type: The Unfathomable Artist

‘type: The Unfathomable Artist #1’ [19th February 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 and Times New Roman fonts, 7016 x 4951 pixels, 600dpi, A4 Landscape format.

Digital Pop Artworks digitally produced to technologically articulate the need for global climate change policies.

Subtle version two shown immediately below, with the future idea to create written words and iconography throughout the blue canvas space:

‘type: The Unfathomable Artist #2’ [20th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, MS Shell Dig 2 font, 4412 pixels x 3981 pixels, 600dpi, A4 Landscape format.

Version three with Times New Roman ‘type’ font and ITC Kristen chosen for the main green yellow alternating Unfathomable text shown below:

‘type: The Unfathomable Artist #3’ [24th May 2020] by Matt The Unfathomable Artist, Digital Pop Artwork, Times New Roman and ITC Kristen fonts, 7016 pixels x 4961 pixels, 600dpi, A4 Landscape format.

At the time of editing this page on 24th May 2020 I have started work on two oil paintings for my ‘type: The Unfathomable Artist‘ series of pop artworks.  The blue screen backgrounds are already completed.  I’m waiting for the refined linseed oil mixed within the oil paints to dry before adding the painted fonts.

I’m likely to choose version #3 as the first oil painting artwork for me to finish.  Then version #1, as seen in these Digital Pop Artworks.  The blue backgrounds already look delicious.

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Inspired by Trees with Mall Galleries

‘Cold Autumn Walk on the Downs’ by David Brammeld RBA, Acrylic, 41cm x 51cm.

Inspired by Trees

The Royal Society of British Artists 303rd Annual Exhibition features a forest full of trees.

20 to 29 February 2020, 10am to 5pm
Mall Galleries, The Mall, London SW1
Admission £5, 50% off with Art Fund pass, Free for Friends of Mall Galleries and under 25’s

Mall Galleries is happy to offer my Readers Free Entry for Two to the exhibition when quoting this publication at the gallery desk (normal price £10)

Visitors to the Mall Galleries will shortly be able to experience a ‘forest experience’ as the Royal Society of British Artists highlights the potent inspiration trees provide for artists in its annual exhibition opening 20 February. Two clusters of tree images showcase a wide variety of styles, locations and moods, in highlighted sections of the show which overall features more than 500 works on myriad subjects. Trees captivate artists and fascinate the viewer with their life-force, symbolism and extraordinary architectural variety and beauty.

Some works featured are portraits of individual trees, such as Mark Welland’s Reach For The Sky II, which is part of a series commemorating a 300 year old oak tree finally felled by storm Katie in 2016; some scenes of woodlands, trees on the horizon or trees in the garden offering shelter on a sunny day.

‘Reach For The Sky II’ by Mark Welland, Mixed media, 21cm x 21cm.

Urban life also features. Melissa Scott-Miller RBA RP NEAC, known for depicting London’s streets says of the capital’s trees: “In London the trees are often restricted by the buildings and paving slabs, but they have still kept going, their branches making beautiful patterns and shapes, the lichen on the bark has spread on to the rooftops and brickwork, in summer the canopy of leaves produce areas of shade, and they are a haven for wildlife, birds, squirrels even domestic cats, the changes of colour and shape they display through the seasons lift the spirits, trees are essential to city living!”

Beautiful urban landscape by Melissa Scott-Miller RBA RP NEAC

Environmental themes emerge strongly. While many of these paintings of tree suggest at themes of longevity, ideas of mortality and of the fragility of the environment are never far away. Gary Cook’s watercolour 1058: Melbury Beacon No8 stands as a record of the 1,058 UK species associated with ash trees, ranging from beetles to birds, lichens to mammals. Some of these species are written into the background. All will be affected when we lose up to 90% of the UK’s 70 million ash trees from dieback disease. Of the 1,058 species 40 of them live only on ash trees. The Centre Barred Sallow moth is one of those 40. Research is ongoing into replanting these trees with ash bred with tolerance to the infection.

‘1058: Melbury Beacon No. 8’ by Gary Cook, Watercolour & charcoal, 28 x 39 cm.

Cheryl Culer PPPS RBA suggests we should all try our hand at drawing trees: “Trees are great to draw and as long as they get thinner as they go up and the branches get skinnier as they reach out, then even the simplest scribble can be a tree.“

Alongside the exhibition, member artists will be demonstrating their techniques and there are a number of opportunities to join in; including a free drawing session where you will be serenaded by Classical Harpist Eleanor Dunsdon.
Visit www.malllgalleries.org.uk for a full list of the events taking place.

The Royal Society of British Artists (RBA)  is dedicated to promoting the highest standards of skill, concept and draughtsmanship in painting, sculpture, printmaking and drawing.

The exhibition is sourced from member artists and through open submission, to bring together works of the highest standard in an eclectic mix of style and media. Most works are for sale, with prices starting from £140.

We are happy to offer your Readers Free Entry for Two to the exhibition when quoting your publication at the gallery desk (normal price £10)

Royal Society of British Artists 303rd Annual Exhibition 2020
20 to 29 February, 10am to 5pm
Mall Galleries, The Mall, London SW1
www.mallgalleries.org.uk

Header image: David Brammeld RBA Cold Autumn Walk on the Downs
Copyright © 2020 Mall Galleries, All rights reserved.

Our mailing address is:

Mall Galleries

Federation of British Artists
17 Carlton House Terrace

WestminsterLondon SW1Y 5BD

United Kingdom

Add us to your address book

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The ‘Me Want, We Want’ poem

‘Me Want, We Want’ [4th/7th June 2019, version two] by Matt The Unfathomable Artist, blue ink pen on A3 light textured paper.

Poem by Matt The Unfathomable Artist entitled ‘Me Want, We Want’:

‘Me Want, We Want’ [19th March 2020, digital version in Elephant font] by Matt The Unfathomable Artist.

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‘Me Want, We Want’ [4th/7th June 2019, version one] by Matt The Unfathomable Artist, blue ink pen on A3 light textured paper.

Inspired by a safari photo taken of wildebeest in the Masai Mara by a friend who lives in South Africa.  The photograph was published online 4th June 2019.

Upon viewing the photo I created the first draft of my new original poem.  Completing the poem’s compositional structure within the first of two versions we now see here on the 7th June 2019.

In version two I feel I’ve encapsulated the idea of conservationist urgency.  A free flowing style of writing.

‘Me Want, We Want’ is intended pragmatically.  Decorum.  Constructive.  My interest particularly is to represent the voice of children, younger people, in writing form.  To appeal to children through my poem in sharing ecological ideas in a way that is easily readable to young art enthusiasts.

To speak about the Earth.  How the animals feel.  How we feel regarding habitat destruction, negative climate change and environmental pollution.

Clearly children and younger people generally feel strongly about what is happening with climate change in this world they’re growing up within.

It’s their world too.

Their now and their future.

Inspiring younger people positively is one of the greatest gifts in making art.

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