A Series of Portraits

Orange & Violet Untitled Matt The Unfathomable Artist
“Orange & Violet Untitled” [29th November 2024] by Matt The Unfathomable Artist, acrylic fine art painting on A3 250gsm mixed media paper with 250gsm varnish affixed backing paper, 5000 x 6951 pixels.

Orange & Violet Untitled

I have chosen to highlight pre-published social media commentary in blue. If you have read my Instagram posts for works in this article you can quickly skip re-reading if you prefer.

“Orange & Violet Untitled” also represented something earlier in the day on the 29th November..

.. a busker singing in my hometown. An anecdotal story I shall tell anyone who asks me.

Goggles ROC

Matt The Unfathomable Artist Goggle ROC
“Goggles ROC” [23rd December 2024] by Matt The Unfathomable Artist, acrylic painting on partially torn A4 250gsm mixed media paper, 7000 x 7000 pixels with background for social media.

I feel “Goggles ROC” is a humorous piece.

The title is a play on the word ‘goggles’ as this sounds amusing in English (to me anyway), with the word ‘rock’. I feel this artwork communicated the strength of Chinese manufacturing innovation and range.

By saying the ‘goggles rock’ I’m noting the products are cool, fashionable, well made.

In my opinion I view peoples of the USA, Italy and China as naturally inclined commercially.

The USA since indigenous tribes and settlers eventually co-traded after much civil war. The latter (then-immigrants) being adventurous types to seek out pastures new across the Atlantic/Pacific. Italy through ancient Roman Empire industry routes with a plethora of trades. China via highly disciplined cultures throughout the far-east. Nations like Japan and South Korea too for instance.

We (as in you possibly agreeing with me) could easily include Greek and Jewish culture too, in terms of the inherent working malluability of the people.

Subjective opinion you appreciate, as clearly I note individual/national endeavour around the world from an artistic viewpoint.

Here is a chart from Wikipedia about global working hours to click and read if you’re interested (stats upto 2022 at time of this article, 29th April 2025):

List of countries by average annual labor hours. (does not include all nations).

Of OECD nations the five highest average annual working hours are (2023 stats):

  • Mexico: 2,207 hours
  • Costa Rica: 2,171 hours
  • Chile: 1,953 hours
  • Greece: 1,897 hours
  • Israel: 1,880 hours

Untitled Orange & Black (Face) #1

Matt The Unfathomable Artist Untitled Orange Black Face
“Untitled Orange & Black (Face) #1” [19th December 2024] by Matt The Unfathomable Artist, acrylic painting on A4 250gsm mixed media paper, background for social media, 5000 x 7221 pixels.

“Untitled Orange & Black (Face) #1” is a pure paint play in the Basquiat spirit of artmaking. I believe this was the first time I consciously incorporated the idea of guitar ‘pegs’ into a portrait. That said, after making “Alvis Dede Wimsey III” I re-viewed “Face with Gold Mouth” and realised guitar ‘peg’ shapes at the vocal chords!

Eye Snout with Sand & Silver

Matt The Unfathomable Artist Eye Snout Sand Silver
“Eye Snout with Sand & Silver” [sometime prior to 11th to 23rd February 2025] by Matt The Unfathomable Artist, brush collage & palette acrylic on A3 (42cm x 30cm) 2mm gesso primed wood panel, 5000 x 3577 pixels.

“Eye Snout with Sand & Silver” is an instinctive piece where the careful silver/sand framing brought attention to the arty central paint play.

A few straight-from-my-camera raw evaluation photos for you:

“Eye Snout with Sand & Silver – detail one”
“Eye Snout with Sand & Silver – detail two”
“Eye Snout with Sand & Silver – detail three”

Gold Sun Paint Play

Well, having read thus far into my article please let me thank you with a bonus paint play to enjoy:

“Gold Sun Paint Play” [circa 25th April 2025] by Matt The Unfathomable Artist, acrylic on opened cardboard box (approximate 11in x 8in (28cm x 21cm), 5000 x 3882 pixels shown upon cropped gesso canvas for publishing purposes.

“Gold Sun Paint Play” is just me having fun on a piece of cardboard packaging.

Likely made on one of the days I worked “Surfaces #n” (working title), a new wood panel piece as yet unpublished.

I love making these delightful paint plays..

.. I love seeing people enjoying life and having fun.

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Acrylic Portraits

Cadmium Red Mars Black Untitled #1 Matt The Unfathomable Artist
“Cadmium Red & Mars Black Untitled #1” [26th December 2024] by Matt The Unfathomable Artist, acrylic painting on A4 250gsm mixed media paper, 5000 x 6879 pixels.

Acrylic Portraits in Subconscious Working

“Cadmium Red & Mars Black Untitled #1” whilst made very quickly in portrait orientation is in fact an abstract. I only noticed the side profile head shape afterwards upon photographing the wet painting. My own focus 100% on making contrasts with the red, black and palette knife textures.

The work is subconsciously inspired of Frank Auerbach.

I photographed this piece on a black cloth vest with light blocking-surrounds excluding camera flash. In effect the piece appears to make its own light since I photographed this completely under shadow.

If you view the work in portrait at 180 degrees you might distinguish a squirrel (in side profile), perhaps a rabbit or some other cute fanciful like-creature facing the viewer.

nb Produced in one draft with my favoured palette tool. One tidying draft millimetres around the edge with brush only. I carefully retained the entire main abstract working seen here from the first draft exactly as spontaneously made.

I do not know how the human portrait formed from an abstract.

Next we have “Fragments #1”:

Fragments #1 Matt The Unfathomable Artist
“Fragments #1” [19th December 2024] by Matt The Unfathomable Artist, acrylic painting on A4 250gsm mixed media paper, slightly cropped paper, 5566 x 5934 pixels.

Do you see Charlie Chaplin and Buster Keaton?

On 19th December I utilised two A4 papers on the same day with random paint scrages from an as yet unpublished mixed media piece on A3 (“Conker Lots”).

These became “Orange & Violet Untitled” and this work “Fragments #1”.

“Orange & Violet Untitled” featured a predominantly Mars Black ground, inadvertently influenced by the formation of ‘guitar pegs’ around the portrait head. 

“Fragments #1” also features Mars Black, somewhat already preplaced randomly.  To this I added orange with an umber acrylic mix, carefully balancing colours on the canvas paper.

My intuitive brush scrapes of “Fragments #1”in a Cy Twombly style unintentionally collaborating with the Jean-Michel Basquiat style purposed in “Orange & Violet Untitled”.

As an artist I’m immensely intrigued to how viewers respond to “Fragments #1”.

Next is “Pitchfork Hands Man”:

Pitchfork Hands Man Matt The Unfathomable Artist
“Pitchfork Hands Man” [20th January 2025] by Matt The Unfathomable Artist, acrylic Pop Art painting on A3 250gsm mixed media paper with one lined Notepad paper as a painted central collage, 5000 x 7087 pixels.

I made “Pitchfork Hands Man” on 20th January 2025. On 8th February 2025 I read a CNN article (you can click the link to see the article) detailing a man knocking over a 19th Century candelabra at St Peter’s Basilica at the Vatican!

Let’s give more information about the artwork itself.

The lined Notepad paper with lovely textured inner cadmium-red paint looked rather arty. It’s paint scrapes originated from another recent work.

I began to paint play with sap green, cadmium-orange and then cadmium-yellow on the lined Notepad paper ensuring I retained all the beautiful red premarked paint.

Whilst making this I randomly scraped a brush loaded with yellow onto slightly premarked A3. With this separate A3 I began making hair, eyes and a face for fun.

Seeing potential I decided to intuitively place the Notepad piece centrally to produce a Pop Art character. I painted around the Notepad-body in gold to make the lined paper part of the A3 artwork.

Intriguingly if you turn the A3 anticlockwise 90 degrees to the left, the yellow eyes at your lower-left, I perceive a large authoritative head and face from the lined Notepad paper. This new character is not planned, merely a result of my retaining the premarked textured red paint.

Pitchfork hands each with seven prongs were added to complete the piece.

Finally for this blog article we have “Laughing Lion Eye” here:

Laughing Lion Eye Matt The Unfathomable Artist
“Laughing Lion Eye” [6th to 11th February 2025, wet paint photography] by Matt The Unfathomable Artist, acrylic painting on A3 (42cm x 30cm) 2mm white gesso primed wooden board, with border for social media publishing only, 8000 x 8000 pixels.

Personal quote on 11th February 2025:

“i genuinely made this in landscape with what became an eye at the upper mid centre-right. Seeing potential i turned this 90 degrees into portrait, et voila. i mixed red, green, blue (this afternoon) as i am out of pre-mixed black, making the definition outlines you see. this kind of piece is immensely exciting to me for its spontaneity.”

The ‘laughing lion’ in the eye is 100% chance. I didn’t notice this strange animalistic formation until photography again on 11th February.

I had no intention of making a portrait character prior to turning the painting 90 degrees.

Hope you have immensely enjoyed a flurry of portrait publishing to my blog in this article.

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