UN noise dash dot

“UN noise dash dot” [6th to 9th September 2024] by Matt The Unfathomable Artist, charcoal, pastels & acrylic paint on premium 115gsm medium textured cotton primed to 240gsm over 12in x 16in (30cm x 40cm) wood-fibre board (4mm), 6936 x 5160 pixels.

Matt The Unfathomable Artist fans please be ready for draft by draft overload.

Having wrote detailed information I thought ‘Fans do need to see these drafts to appreciate how UN noise dash dot progressed’.

“UN noise dash dot” is made in approximately four drafts as follows.

6th September prior to 2111hrs:

First draft: beautiful red canvas coverage and canvas scratches (palette knife) including scratched words. I cannot explain how invigorating this first draft was.

Photograph immediately below.

“UN noise dash dot – first draft”

It’s cool fans get to see early drafts, my artmaking process and developing ideas.

Late 6th into early hours of 7th September prior to 0011hrs:

Second draft:

  • charcoal lines added
  • charcoaled SCREEN_. [to read, ‘dash dot’] PLAY, 314, ART LIFE, tree, UN, stylised sigma symbol [ Σ ] left of ART LIFE, M and box shapes
  • ‘claw’ added to the top of a rectangular robot-like or building shape
  • soft pastels around some boxes for definition

The ‘claw’ could possibly be subconsciously inspired by “The Giant Claw” [movie, 1957] and/or Robby the Robot from “Forbidden Planet” [movie, 1956]. The latter is one of my all-time favourite films. I did enjoy “The Giant Claw” recently, due to the acting performances by the cast.

un in capitals means ‘the opposite of’ or ‘contrary to’ although I’m happy with any reasonable interpretation for this lettering.

I did also think of the un in unfathomable whilst writing this and also the United Nations. I didn’t and haven’t defined an exact meaning for ‘un’. I enjoy viewers deciding for themselves, personally.

Photograph immediately below.

“UN noise dash dot – second draft”

7th September prior to 1445hrs:

Third draft:

  • yellow paint added around boxes,
  • yellow highlights around some words,
  • pseudo-purple paint (first batch) around boxes,
  • green paint around 314, ART LIFE, UN,
  • letter [ i ] symbolically added in green to the right of the letter M.

see [*1] further below for details of the first batch of pseudo-purple paint I mixed on sandpaper that randomly became “Sandpapered Green with Dark Purple & Yellow”.

You can see the wet purple and yellow on the UN noise dash dot canvas (image immediately below) that featured in ‘Sandpapered Green..”:

“UN noise dash dot – third draft”

8th September 2024 – artwork drying, photographed once for artistic evaluation:

  • no drafts, I photographed “UN noise dash dot” now dry from the day before and the still drying heavy impasto canvas of “Cosmic Mouth” – the ‘astronomy‘ art work (not the female mouth canvas working as this was extensively done on the 1st & 2nd September 2024, subsequently overpainted).

9th September early afternoon prior to 1334hrs:

Fourth draft:

  • green highlights around boxes and dash dot symbols added in green to balance the canvas visuals.
  • heavier overpaint to the existing UN green box for definition.
  • second batch of mixed red/blue-to-pseudo-purple paint added around smaller boxes and underneath the overpainted green dash dots below ‘UN‘. I called this latter area ‘the seated dash dots‘ as some days afterwards this is how I myself interpreted this. Please do see “Mapped Random Satellite {Day} #1” as I believe this is my subconscious finding its way into UN noise dash dot. Interestingly the seated shape of these dash dots is pure chance to fill negative canvas space!

see [*2] further below for details of the second batch of pseudo-purple paint I mixed on Notepad paper to randomly become “Upper – Original” with “Unfathomable Apocalypse Rider in Six-Grid Collage”.

Photograph immediately below, wet paint online version.

“UN noise dash dot – WET PAINT” [6th to 9th September 2024] by Matt The Unfathomable Artist, acrylic paint on premium 115gsm medium textured cotton primed to 240gsm over 12in x 16in (30cm x 40cm) wood-fibre board (4mm), 6624 x 4914 pixels.

In terms of subject matter I feel “UN noise dash dot” is my usual pop art complexity. Not in any order of importance or competing artistic thought:

What did you feel “UN noise dash dot” is about?

Here is further information whilst making “UN noise dash dot” with regards to the two pseudo-purple paint batches I mixed on the 7th and 9th September respectively:

[*1] 7th September prior to 1445hrs:

  • I folded one P400 sandpaper piece in the middle from the leftover purple paint to make two paint prints on the same P400 paper piece. I then pressed one of these to a third sandpaper rectangle (folded P400 piece), now making three individual rectangular acrylic ‘prints’ across two pieces of P400 sandpaper.

[*2} 9th September early afternoon prior to 1334hrs.

  • Whilst mixing a second batch of red/blue paint for the purple I made a (then unknown to me) random artwork on lined Notepad paper. This would become first two acrylic pieces then their digital artwork derivations through “Upper – Original” and “Unfathomable Apocalypse Rider – Original” (both physical pieces and the digital derivations are included in the same blog article and link).

Just a quick thought on ‘then unknown to me‘. To me as an artist, mixed or mixing paint is made purely for the purpose of the canvas I’m working on, nothing more. When working on oils I have art-deco teacup saucers I use to mix the paint. These are cleaned after each oil painting session.

Making art from mixed acrylic paint leftovers is therefore quite new to me. Every now and then I like the look of the random paint I’ve mixed, please see “Pure Chance Portrait #2 in Portrait” for instance. Interestingly, I have some iron gall ink practice works I turned into art pieces some years ago. I’ve not published or formally documented any of those as yet.

“UN noise dash dot” is unusual in that I had two batches of mixed acrylic paint workings I liked and decided to do something with.

Hope you have enjoyed this article.

Standard

Orchard Trees in Hay Meadow with Icy Ridge Willow

orchard tree in hay meadow May 2023 Icy Ridge Willow Wildflower Meadow
“Orchard Tree in Hay Meadow” [9th May 2023] by Matt The Unfathomable Artist, quick sketch with H, HB, 4B and 8B pencils signed in black ink on 280gsm 250mm x 300mm gesso primed canvas [pad], digitally edited image 3043 x 2596 pixels.

“Orchard Tree in Hay Meadow” was completed in just two drafts of 25 minutes and <15 minutes respectively.  Just under 40 minutes in total.


Over 25 orchard trees were planted in Hay Meadow this year, 2023. Interestingly when I sketched  “Wooden Walkway with Birds Feet” on the 5th and 6th January 2023, the orchard trees had not yet been planted.  Standing from the same wooden walkway perspective, you would now see the orchard trees to the right.

I took various photographs, deciding upon this composition as one of the most artistic.  Since these planted orchard trees are quite young (approximately several feet to twelve feet in height) they have a tree guard cage with an irrigation system around each tree to help them grow.

I believe this sketch is of a plum tree.

Here is the composition for my Orchard Tree sketch:

“Orchard Tree in Hay Meadow – photograph” [evening of 16th April 2023] by Matt The Unfathomable Artist.

Next we have a sketch of Ridge Willow, immediately below:

“Icy Ridge Willow” [12th May 2023] by Matt The Unfathomable Artist, sketch with H, HB, 4B and 8B pencils signed in black ink on 280gsm 250mm x 300mm gesso primed canvas [pad], digitally edited image 2856 x 2415 pixels.

“Icy Ridge Willow” was completed in the first and only draft in just under 27 minutes.

The photograph was taken on 21st January 2023 along with several other beautiful shots of the Nature Reserve in a misty fog.  Including a short video of Meadow One, Wildflower Meadow.

For those interested in having a look at these, here is a selection of the finest compositions, starting with “Icy Ridge Willow – photograph” itself:

“Icy Ridge Willow – photograph” [21st January 2023] by Matt The Unfathomable Artist.

I loved the icy swirls on the ground. I knew in January I must sketch this photo.

Ridge Willow is south, directly adjacent/part of Hay Meadow.

“Wildflower Meadow Entrance no.1 Left – photograph” [21st January 2023] by Matt The Unfathomable Artist.

It is approximately 200 yards to the trees you see farground, from the gate.

“Wildflower Meadow SW Jan 2023 – photograph” [21st January 2023] by Matt The Unfathomable Artist.

Birds sing and nest in these trees. Top left there is a bat that flies nightly.

“Wildflower Meadow SW – photograph” [21st January 2023] by Matt The Unfathomable Artist.

This looks towards the gate entrance to Wildflower Meadow. To the mid-left is where “The Curious Face in the Pond“ [23rd Oct – 7th Nov 2021] was derived. The pond would be frozen on this day in January.

“Wildflower Meadow North – photograph” [21st January 2023] by Matt The Unfathomable Artist.

Here you see the King James VI & I Oak of 1612 (prominent tree, left).

“Wildflower Meadow WN – photograph” [21st January 2023] by Matt The Unfathomable Artist.

This faces west, with the fused horse chestnut tree to your left, the King James VI & I Oak of 1612 to the right, facing north.

“Hay Meadow Ground January 2023 – photograph” [21st January 2023] by Matt The Unfathomable Artist.

Am I the only one believing this photograph to be somewhat cool? Ice and snow, really cool.

“Wildflower Meadow Entrance no.2 Right – photograph” [21st January 2023] by Matt The Unfathomable Artist.

This photograph is slightly right of the central composition I produced in my sketch “Entrance to Wildflower Meadow” on 23rd May 2022. I thought these misty-foggy shots were interesting enough to include both here on my blog.

If you feel you could make a sketch from any of my photographs I am more than happy for you to do so.

Finally here is a quick video of Wildflower Meadow:

Hope you enjoyed my blog article, sketches and short video.


Standard