Colorised Self Port in Nine Grid Collage

Fans of my artworks will appreciate I am experimenting with Colorisation through some of my portfolio. “Colorised Self Port in Nine Grid Collage” is an Andy Warhol inspired piece.

Besides being a genuine Self Portrait of myself this artwork features many themes. Racial/cultural diversity, equality, climate change/conservation, well being, health and fitness to name some themes I personally think of viewing this work.

Of course, most artists experiment with colours throughout their artistic journey. Therefore the visual effect of an artwork is important too in gaining interest with communicating ideas. I would say my artwork includes my personality and emotions represented by these colour choices also.

Please enjoy my “Colorised Self Port in Nine Grid Collage” which includes Green, Black, Vivid Violet, Mid Tone, SolarScape, Polarised, Blue, Original Self Port and Red.

Thank you for enjoying my works.

Galaxies Reverberation #3 – Multicolour & Collage Embossed Artworks

“Galaxies Reverberation #3 – COLLAGE” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 2560 x 2560 pixels.

Inspired by Andy Warhol I decided to produce colour versions from my “Galaxies Reverberation #3″ series of works. I carefully worked with computer editing software to produce the most vibrant colour contrasts and definitions.

Whilst these were all created to be visually stunning, I specifically chose representations to give each embossed work its own personality. The original work has much meaning to the symbology, therefore I retained certain characteristics within each individual piece.

I envisage these as beautiful naturally dyed aluminium plate embossed art pieces.

“Galaxies Reverberation #3 – Natural Turquoise” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Natural turquoise is an opaque, blue-to-green mineral.”

“Galaxies Reverberation #3 – Light” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Light or visible light is electromagnetic radiation that can be perceived by the human eye.”

“Galaxies Reverberation #3 – Bright Green” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“bright greens emerged as a group of environmentalists who believe that radical changes are needed in the economic and political operation of society in order to make it sustainable”

“Galaxies Reverberation #3 – Red” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet.”

(*please see my note below regarding the definition for this colour)

“Galaxies Reverberation #3 – Silver” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Silver is a chemical element with the symbol Ag and atomic number 47.”

“Galaxies Reverberation #3 – Pastel Blue” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Pastels or pastel colors belong to a pale family of colors, which, when described in the HSV color space, have high value and low saturation.”

“Galaxies Reverberation #3 – Dark Blue” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Dark blue is a shade of the standard (h = 240°) blue.”

“Galaxies Reverberation #3 – Purple” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Purple is a color similar in appearance to violet light.”

“Galaxies Reverberation #3 – Light Orange” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Orange is the color in the visible spectrum between red and yellow with a wavelength around 585 – 620 nm.”

“Galaxies Reverberation #3 – Lime Green” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Lime is a yellowish green color. It is the color that is halfway between the color chartreuse green and yellow on the color wheel.”

“Galaxies Reverberation #3 – Darkness” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Darkness, the direct opposite of lightness, is defined as a lack of illumination”

“Galaxies Reverberation #3 – Strong Magenta” [28th July 2023] by Matt The Unfathomable Artist, digital artwork from the original drawing in charcoal (s) (m) (h) pencils with 8B detailing, signed in black ink on A3 250g/m² mixed media paper, digitally edited artwork image 3690 x 2667 pixels.

“Magenta is a color made up of equal parts of red and blue light.”

I hope you love each and every piece I made with intellectual effort and artistic inspiration.

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Please note:

(* regarding the artwork ‘Red’, its hex colour value is #ff5500, RGB value is (255,85,0). #ff5500 hex color red value is 255, green value is 85 and the blue value of its RGB is 0.

The process color (four color CMYK) of #ff5500 color hex is 0.00, 0.67, 1.00, 0.00. Color #ff5500 contains mainly RED color. I appreciate some viewers perceive this as international orange or pure orange. Personally I much rather perceive the colour #ff5500 nearer to the red spectrum with some orange for descriptive purposes.)

All quoted words for the artworks colours are courtesy of Wikipedia.

The Unfathomable Artist is not affiliated to any political party, activist group or any populist movement.

All colours were chosen without prior reading from the quoted Wikipedia pages. It is all pure chance colour selection beyond the artistic visual qualities.

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“Lion at Rest”

Immediately shown above is the Original pencils drawing of “Lion at Rest”. I then proceeded to make five digital artworks from the Original. Four individual colour compositions in embossed format – ‘Silver’, ‘Green’, ‘Blue’ and ‘Black & White’.

The fifth piece formed ‘Collage’ which included all four embossed colour compositions together at the four corners with the ‘Original’ placed in five of the central Collage squares. You can see these artworks in this blog article below.

My pencils drawing was made within 32 minutes starting with a blank canvas without prior study.

The Lion lives at Chester Zoo in the UK.

My embossed versions are inspired by Andy Warhol’s Endangered Species artworks.

“**Lion at Rest – Silver**” [24^th July 2023] by Matt The Unfathomable Artist, digital artwork from my original drawing with H, HB, 4B and charcoal pencils, digitally edited image 2409 x 2868 pixels.

“**Lion at Rest – Green**” [24^th July 2023] by Matt The Unfathomable Artist, digital artwork from my original drawing with H, HB, 4B and charcoal pencils, digitally edited image 2409 x 2868 pixels.

“**Lion at Rest – Blue**” [24^th July 2023] by Matt The Unfathomable Artist, digital artwork from my original drawing with H, HB, 4B and charcoal pencils, digitally edited image 2409 x 2868 pixels.

“**Lion at Rest – Black & White**” [24^th July 2023] by Matt The Unfathomable Artist, digital artwork from my original drawing with H, HB, 4B and charcoal pencils, digitally edited image 2409 x 2868 pixels.

Here is my beautiful Collage version, immediately below:

“**Lion at Rest – Collage**” [24^th July 2023] by Matt The Unfathomable Artist, digital artwork from my drawing with H, HB, 4B and charcoal pencils, digitally edited image 3264 x 3264 pixels.

I feel that “Lion at Rest – Collage” is such a lovely, strikingly stunning artwork, I hope you do too.

The originating picture for this Lion was taken on 22^ndJuly 2023 at 1449hrs. Here it is:

“**Lion at Rest – Photograph**” [22nd July 2023, 1449hrs] courtesy of the person whom took the photograph.

I hope you enjoy all these Conservation inspired artworks.

“Sunrays in Wildflower Meadow”

“Sunrays in Wildflower Meadow – TRACE” finds me thinking about nature, rabbits, animation and music. How about you? What do you think looking at this artwork?

The original sketch (not shown) for these digital artworks in this blog article took me 20 minutes to produce. It was done spontaneously with very quick pen and pencil work to emulate the Van Gogh style for movement.

I am very happy with the artworks and the original, inspired by a Van Gogh drawing. I would like to mention that the artworks are produced from an original sketch and photograph by myself.

The photograph is actually shown at the end of this blog article.

“Sunrays in Wildflower Meadow – Black & White” [27^th May 2023] by Matt The Unfathomable Artist, *digital artwork* derived from an original sketch in blue ballpoint ink pen and sunlight yellow pencil.

“Sunrays in Wildflower Meadow – Black & White” reminds me of space and science-fiction. What about you? How do you feel looking at this artwork?

“Sunrays in Wildflower Meadow – COMMAND” [27^th May 2023] by Matt The Unfathomable Artist, *digital artwork* derived from an original sketch in blue ballpoint ink pen and sunlight yellow pencil.

“Sunrays in Wildflower Meadow – COMMAND” is powerful. I am reminded of 3D structures, electricity and the sense of touch. How about you? Do you have any particular feelings or thoughts as you view this artwork?

“Sunrays in Wildflower Meadow – photograph” [4th July 2022, 1935hrs] by Matt The Unfathomable Artist.

Hopefully I have brought the beauty within this landscape into my sketch and digital artworks, inspiring you in some way.

Very best.

“King James VI & I Oak Portrait Two”

“King James VI & I Oak Portrait Two” [shown above] was produced in two drafts. The first draft took 28 minutes 58 seconds. The second (final) draft next day took 7 minutes 40 seconds, tidying a few branches and adding further depth to leaves. A total of just under thirty-seven (37) minutes in all. I promptly signed the artwork afterwards.

The photograph was taken on 19th May 2020, three years ago precisely. I published those Oak photographs on my blog that very day. You can see those photographs by clicking the link here https://theunfathomableartist.wordpress.com/2020/05/19/conservation-local-nature-reserve/.

This sketch is very much as successful for its quickness and quality to produce as “Leafy Hollow”. You can see “Leafy Hollow” by clicking the link here https://theunfathomableartist.wordpress.com/2022/06/26/leafy-hollow/.

Each artist has their own ‘standard’ in terms of quality. For me, “Leafy Hollow” and this sketch “King James VI & I Oak Portrait Two” exemplify a ‘perfect’ artwork near effortlessly with regards to the time taken to complete from start to finish.

I view these visual works for the speed they are produced similar to an artist writing a chart topping song in 20 minutes.

To understand my reasoning here, it took me hours upon hours to get “Malevolence upon Trees” to the standard I hold every.. single.. time.. for my artworks. You can see “Malevolence upon Trees” here https://theunfathomableartist.wordpress.com/2021/04/24/malevolence-upon-trees/. The intricacy and complexity of the latters pencil work is clear though through all those extra hours.

Personally I happily delight whenever an artwork reaches ‘the standard’ much more quickly. This is more about efficiency as an artist than anything else. I noted Andy Warhol’s interest to produce masterpieces quickly. So too Basquiat and Monet.

Therefore I have sought to somehow emulate this work ethic when producing new pieces, if possible.

For instance, a professional actor can often absorb lines they need to learn for a role very quickly. Whereas an untrained person would take much longer to do so accurately. We could imagine professional translators and PA’s having a comparable ability. As an artist I view the swiftness of my working as part of the profession itself.

Of course, such beauties as the Sistine Chapel, time-honoured sculptures and Realist oils should not be hastily made. Often impressive intricacy and complexity requires reasonable time.

Here is the photograph inspiration for my latest sketch:

“King James VI & I Oak Portrait Two – photograph” [19th May 2020] by Matt The Unfathomable Artist.

I entitled my latest sketch as ‘Portrait Two’ since I class “James I VI Oak – Autumn Landscape” [27^th June 2022] as the first ‘portrait’ of this magnificent 1612 Oak tree. Whereby both sketches do not feature as part of a wider Landscape composition.

Hope you enjoy.

“Rabbit in Meadow Sunset”

“Rabbit in Meadow Sunset” [17th June 2021] by Matt The Unfathomable Artist is my most recent Meadow Conservation series of sketched artworks. Featuring the fields of my local nature reserve.

It originally looked like this:

earlier draft version of “Rabbit in Meadow Sunset”

However, having subsequently photographed an adorable baby rabbit on one of my walks that day I decided to include the rabbit in my sketch.

I believed that for my Meadow Conservation series of artworks, the first draft was too eerie for the beauty I wished to highlight in the field. On the paper, the final version is slightly greater in contrast than in the first image above.

I think it looks even better when you actually see it for yourself, as the dark highlights are closer in values to the first draft on the paper.

Here is the cute lil baby rabbit.. it.. is.. really really.. a joyous little creature:

DIstant photograph of a baby rabbit on a field near Ridge Willow [June 2021]

Through my appreciation of past masters I am seeing the inspiration of Picasso, Van Gogh, and in this rabbit, Edvard Munch in my work. The style of my drawing the rabbit’s expression was completely chance, through over-sketching work on the paper.

Not until I zoomed in on the baby rabbit’s head did I see an unintended facial expression.

Immediately I thought, Munch of inspiration. I also chose to keep the ‘eyes in the grass’ just above right of the rabbit. A small dog went chasing the rabbits away, so perhaps this is why I inadvertently drew the rabbit showing ghastly surprise.

The reason I kept this expression in my artwork is to kind of picture the effect manmade negative climate change and habitat destruction is having on wildlife.

I might sketch this lovely baby rabbit again, to show its qualities in a non-stylistic, realist way.

Chess in Art

“Passing” [7th June 2021] by Matt The Unfathomable Artist, sketch with 3H HB 3B pencils signed in black ink on A4 250gsm Artist’s paper.

This artwork title, “Passing” [7th June 2021] by Matt The Unfathomable Artist, is a literal translation of an early board game called ‘Senet’ popular in ancient Egypt from at least c2600BCE – 3100BCE.

I have known to play the game of chess from an early age, due to my Dad having a great interest in chess throughout his life. Reading books, owning chess computers, playing over the board at chess clubs et al. My Dad was secretary at county and local club level.

I myself captained a local chess club playing home and away events, won a club classical over-the-board Swiss Tournament and made runner-up in a club classical over the board annual All Play All competition.

Here is my Swiss Tournament winner’s trophy in 2003 (without showing my personal name inscribed on the trophy for anonymity):

My Swiss Tournament 2003 Winner’s trophy won at a Chess Club over the board annual competition.

Every chess player appreciates that to receive a competition trophy is a very happy achievement. Even more so knowing some of my opponents had competed successfully at county level. One of my opponents from this 2003 tournament had previously drew a chess Grandmaster (GM) in an over-the-board simultaneous competition!

The reason I created this artwork shown above is for my love of chess, the beauty of the game and its place in art history.

Here is the spiritually symbolic ancient Egyptian board game of Senet being played by Queen Nefertari [https://en.wikipedia.org/wiki/Nefertari]:

Nefertari (1295–1255 BC) playing the ancient Egyptian game **‘Senet’** [photography of the wall relief by The Yorck Project – 2002)

As an artwork it’s particularly interesting to note Queen Nefertari is seated upon a square chequered drapered chair. Clearly we also see Senet pieces displayed in-game on the table board, not unlike modern chess pieces!!

This communicates to us the thinking abilities of ancient human beings, culturally, spiritually and intellectually. Whilst our sciences and some religious ideas might differ through centuries of new learning, human intelligence is really a preservation of society, our individual life course and personal/collective decisions.

“J’adoube”

Angels Viewing the Art of Giotto di Bondone

Number 36, Scenes from the Life of Christ: Number 20, Lamentation – The Mourning of Christ
[c1304 – 1306] by Giotto di Bondone, fresco at the Scrovegni Chapel – Padua, Italy, (H) 200cm x 185cm

Today in the month of December 2018 I’d like to share with you ‘Number 36, Scenes from the Life of Christ: Number 20, Lamentation – The Mourning of Christ’ [c1304 – 1306] by Giotto di Bondone.

Today I found one of the inspirations for Vincent Van Gogh.

“In his own time, people wrote of Giotto ‘first he put “goodness” into the expression of human heads’.” – words by Van Gogh quoting Vasari, from the book by Jules Michelet ‘L’amour’, [produced 1859] page 381.

John Singer Sargent – Portrait Art’s Everything

‘Carnation, Lily, Lily, Rose’ [1885] by John Singer Sargent, Oil on canvas, 68.5 in × 60.5 in

The title for the above painting by John Singer Sargent ‘Carnation, Lily, Lily, Rose’ is from the song called ‘The Wreath‘ by eighteenth-century operatic composer Joseph Mazzinghi.

The two girls are the daughters of Frederick Barnard an illustrator by profession.

Dolly aged eleven is to our left and Polly aged seven is standing in front of her to our right. Sargent found inspiration to include Chinese lanterns whilst sighting them during an earlier boating expedition on the Thames with American artist Edwin Austin Abbey.

This en plein air technique literally influenced by Monet to John Singer Sargent was completed over countless sessions whilst visiting Broadway, Worcestershire, England – The Cotswolds.

I promise you would find a visit to the Cotswolds oh so very pretty just like these two adorable girls painted herewith. Therewith or herewith – its almost like going back in time.

The house of these very gardens was then owned by yet another friend of Sargent’s – American painter, writer and sculptor Frank Millet. Sadly he died in the sinking of the RMS Titanic in 1912.

A 2016 auction of the beautiful “Poppies – A Study Of Poppies for ‘Carnation, Lily, Lily, Rose'” sold for £6,858,000 USD at Sotheby’s.

The history, its painted subjects, the luminous mastery and intricate technical derivation would make the original ‘Carnation, Lily, Lily, Rose’ a grand prize for any serious Art Collector.

What do you like most yourself about this painting?

The trodden grasses? The girls’ concentrated facial expressions?

Warm Chinese lanterns incandescently glowing amidst arty white lillies?

I particularly love that Barnard’s daughters are thoroughly engaged, individually, in an unspeaking togetherness. A shared purpose to delight each other and themselves equally.

John Singer Sargent gifts us with this painting for the ages.

‘Robert Louis Stevenson and His Wife’ [August 1885] by John Singer Sargent, Oil on canvas, 20 1/2 x 24 1/2 in

Rock and roll baby!

I thought of The Beatles when I first saw the painting ‘Robert Louis Stevenson and His Wife’. Sgt Pepper’s Lonely Hearts Club Band and more specifically George Harrison.

Stylistic lyrical geniuses.

Robert Louis Stevenson is super cool. Sargent captures Robert’s inherent quirkiness, his restlessness of thought. Creatives can, at times, exhibit this characterisation without being aware of their indifferent juxtaposition.

Art takes over the mind. It becomes the working of the hands. The pacing of the feet by sheer conscious will.

Interestingly his wife appears almost ghostly and distant in this full-bodied reddened portrait. Stevenson looks as if he wants to ‘get away’ to his writing even as Sargent’s brush strokes are being formed.

The opened door and positioning of our protaganist might seem incidental. However, would you have chosen this composition over all other possible scenic angulations?

We have to say ‘Eureka!’

John Singer Sargent is a true portrait artisan. The Rubens of his generation. Sargent is as accomplished at Impressionist works as he is portrait Realism.

‘The talk of the town’.. Sargent probably knew someone’s ‘ears were burning’.

‘Miss Elsie Palmer’ [1889-90] by John Singer Sargent, Oil on canvas, 75 1/8 x 45 1/8 in

I found the pose of ‘Miss Elsie Palmer’ quaint and disciplined. A pragmatic solution to posing for great lengths of time. Her hair natural and the clothing fabrics a multitude of folding criss-crossing layers.

Miss Elsie Palmer’s eyes look rather mournful here. This is a professional portrait revealing a practically perfect young lady in every way. Modest and likeable. Sargent’s use of light and dark is exemplary as expected. Mood is, as Warhol commented in his own way, where Sargent’s genius shines.

Looking through his vast body of work is hugely pleasurable for any art lover. Blending of interactive foreground and background details. His unique artistic quality incorporated from canvas to canvas.

Quite remarkable.

‘Lawrence Alexander “Peter” Harrison’ [c1905] by John Singer Sargent, Watercolor on paper, 50.16 x 33.02 cm

Immediately above is a relaxed Impressionist portrait of the artist ‘Lawrence Alexander “Peter” Harrison’ by his close friend John Singer Sargent.

Immediately pictured below please take a look at Sargent’s fellow artist Giovanni Boldini‘s (1845 -1931) likewise expert rendition ‘Portrait of the Artist Lawrence Alexander “Peter” Harrison’:

‘Portrait of Lawrence Alexander “Peter” Harrison’ [1902] by Giovanni Boldini,
Oil on canvas, 49 5/8 by 39 3/4 in

Boldini’s portrait is regal and dignifying in its own exquisite artistic right.

Whilst Sargent’s portrait clearly demonstrates his extreme skill at Impressionism. The sense of body and movement in both artworks is outstanding. Please remember that Sargent is strongly regarded as the epitome of classical high society portraiture. True it is too.

Yet he is also very brave artistically with his career.

Impressionist works. Perfected landscapes. Architectural masterclasses. Ordinary peoples, time-indefinitely painted during his various travels.

John Singer Sargent – Art at Everything.

Aelita Andre – Abstract Expressionist Genius

‘Sun Flares and Pegasus’ [2008] by Aelita Andre, acrylic on canvas, 36 ins x 24 ins. Photography by Nikka Kalashnikova.

Let’s begin with the second most surprising aspect of Aelita Andre’s artwork as you read my blog herewith..

.. Aelita is just 10 years of age at the time of my writing this article. And yes, when you look at all her most up-to-date work displayed on her website: http://www.aelitaandre.com/ you might become perplexed at how Aelita has work going back to 2008!

Highly respected gallery curator Peter Gagliardi describes Aelita Andre as a genius.

The above artwork ‘Sun Flares and Pegasus’ is undoubtedly the work of a naturally gifted artist regardless of her tender age. It’s reasonable to say that even the most knowledgeable art professionals cannot possibly know every single artwork by every renowned artist of the past 500 years.

There’s always a new masterpiece yet to be discovered..

Her arrangement of colour, use of space and positioning of paints in an orderly chaotic art production is confoundingly beautiful to explore throughout this piece. It’s clear to see that Aelita enters another world whilst she paints.

The Artists Dimension.

Abstract work as a style soars with the sense and feeling of an eagle when it comes to subconscious ideas represented within artforms.

If Expressionism is the perceivable representation of any given physical subject how do we artistically explain expressionist works regarding invisible matter? I do believe this is possible since we can genuinely interpret shared emotions from Abstract-Expressionist works.

The art world makes readily classifiable distinctions between art styles. Reinforcing the art classification table from classical fruit bowls to abstraction.

That the art business is founded on creativity, originality and quality is the reason why Aelita Andre’s work will continue to be sought after.

I chose to write about ‘The Time Before Time’ pictured below courtesy of Nikka Kalashnikova as I’m enthralled by its unusally clever expressionistic quality.

Honestly, as always, this is one of the best artworks for mentally picturing how one might physically imagine TIME itself. Especially as I’m an admirer of the visionary H.G. Wells. It seemed perfectly conceivable to me almost to the point of laughing until solemnly returning to my instantaneously intuitive conclusion..

.. that Aelita has envisaged a believable metaphysical painting of ‘Time’ just as one might artistically reveal atmospheric Earth air, universal space or the various forces of energy.

We have to be entirely serious about being fun. Aelita Andre is commensurate in both.

‘The Time Before Time’ [2015] by Aelita Andre, acrylic and silver leaf on canvas, 30 ins x 24 ins. Photography by Nikka Kalashnikova.

‘Swirling Starlight #3’ shown below has a magical quality, depth of structure with considerable intricacy and a notably romantic flavour. The textural layers correspond neatly. An entire orchestration of colour. Our ‘mind-hands’ call upon our eyes to ‘touch feel’ thus causing our complimentary senses to wander all around the canvas excitedly.

Only learned painters can produce work with such skillful art direction as this. All her own.

Nurture accompanied by natural genetic advantages.

Gwyneth Paltrow has numerous artistic talents that had the freedom to grow in a creative environment. Again though, we’re all unique persons.

We have to learn these things for ourselves.

Aelita’s perceptive awareness made sense of the art around her breathtakingly quickly. All art beyond purely spiritual actuation requires some process of originating physical ingenuity.

Aelita attained personal-artistic-physical control over what she was painting from a very early age.

Born with a natural gift made in about nine months.

Interestingly there are some child geniuses of mathematics whose parents haven’t the slightest idea where their child’s abilities were derived. Even so, parents whose child had reasonable early nurture in any given field at first struggle with the reality that their child is accomplishing feats beyond any ordinary explanation.

‘Swirling Starlight #3’ [2014] by Aelita Andre, acrylic on canvas, 24 ins x 30 ins. Photography by Nikka Kalashnikova.

Continuing our discussion about early artistic ability ‘Blue Butterfly’ shown here..

‘Blue Butterfly’ [2011] by Aelita Andre, acrylic on canvas, 40 ins x 40 ins. Photography by Nikka Kalashnikova.

.. is particularly impressive as we all enjoy seasonal butterflies performing their instinctive dreamy dances as winged fairies across our sunny blue skies.

Deoxyribonucleic acid = DNA.

Strands and fronds float about going to goodness knows wherever they please.

Professional artists inspire and become inspired. Whilst viewing ‘Blue Butterfly’ I began thinking about artworks at the atomic and molecular level as explanations across art genres. The interactive experience roving gleefully over this most artful achromatic-chromatic painting is intensely inspirational.

The capacity for Aelita’s personality and her artworks to inspire people of all ages will firmly establish Aelita Andre as an eminently recognisable international artist. I love her engaging art performances, the irrepressible elegance and attractiveness of her wildly free-spirited pieces.

Aelita Andre is the living definition of an Abstract-Expressionist genius with true star quality.

The Unfathomable Artist

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