Alvis Dede Wimsey III

“Alvis Dede Wimsey III” is a fun paint play with mixed paint in my ‘peghead’ artistic style whereby guitar, violin, viola-like instrument pegs usually compose part of the portrait. With this particular work I feel the ‘pegs’ aptly took the form of piano keys!

You can rotate the painting upside-down 180 degrees to see a second portrait of a different character.

“Alvis Dede Wimsey III” is a subconscious portrait of a definitive jazz musician and composer.

(quote from my published social media)

I made this fun paint play, shown above, after making “Turquoise Green Bronze Waters”.

Did I know it subconsciously represented a portrait?

Absolutely not.

I didn’t realise it would become a ‘portrait’. I was having far too much fun doodling to see anything beyond ‘Van Gogh-like crop lines’. I began perceiving an aerial landscape of agricultural fields.

The Garden with Flowers by Vincent van Gogh [1988, Arles, Bouches-du-Rhône, France] is one of my all-time favourite Impressionist works, both visually and technically in terms of composition.

Remember dash dots? Now.. you.. know.. how my art brain works a little better. I’m inspired by past & present Masters whilst adding my own Morse-code blend to the paint-penciled mix.

Van Gogh somewhat composed drawings and paintings through the use of dashes and dots. Pointillism to some extent. In similar manner, “Alvis Dede Wimsey III” hints my personal interest in abstract techniques.

I had viewed social media reels of soul, blues and jazz artists in the week. I’m still enjoying listening, researching and thinking about those notable music genre artists even as I write.

Around the time of making “Alvis Dede Wimsey III” I also made “Gold Sun Paint Play” on another empty opened cardboard paint packaging box.

Raster Man

Proof of historical music culture presenting in my work is found with “Raster Man” pictured here:

Completed in three distinct drafts very late evening (finished prior to 2325hrs 14th), then after midnight (inspired to add brushworked Ivory Black surrounds, 15th) and then finally continuing palette the morning of 15th May (finished prior to 1053hrs).

The latter draft new Cadmium Orange texture for the Rastercap. I sang delightedly.

Initially, this composition began as an abstract in landscape until I saw potential for a Pop Art portrait.

At the very last I added eyes, mouth and a nose with Ivory Black surrounds to harmonise colour.

(quote from my published social media)

With the Vatican having elected a new Pope (Pope Leo XIV, Cardinal Robert Prevost) in May 2025 I guess subconscious working occurred here. If you turn the canvas clockwise 90 degrees into landscape, this is how I began the wood panel.

“When I made Raster Man i had no idea the new Pope (Leo XIV) is of Creole (Haitian I believe from newspapers) heritage. I personally view Raster Man as any individual Caribbean man embracing their culture. I do also like any perceived association with a distinct person. Bob Marley, Pope Leo XIV et al..

.. It wasn’t until i realised a portrait potential that the white (cap) became a potentially perceivable structure around a face. Art is our subconscious shaping canvases, sculptures, pottery. Picasso and Basquiat are undoubtedly most influential in these kind of works by me.” – my quote 18th May.

“Raster Man” is visually unique, however, experiencing a physical artwork in person is different to viewing a 2D artwork online.

Ivory Mask

Next is “Ivory Mask” which I originally titled “Insect Mask” before preferring the former name:

“Ivory Mask” [digital artwork, early afternoon 15th May 2025] by Matt The Unfathomable Artist, digital artwork from pressed Ivory Black acrylic, font ‘Destroy’, 5000 x 4000 pixels.

“Ivory Mask” shown immediately above is a digital artwork derived from mixed Ivory Black paint, pressed into Notepad paper, folded at the centre.

I added the mi to create intrigue. The font I chose is called ‘Destroy‘, with individual letters suggesting erosion, damage or decay. The self-destructing words of a cassette tape perhaps?

As to the artwork, what does the mask mean?

Can we fictionalise a purpose to this strange disguise?

A superhero, alien or an ancient artifact with magical properties?

With the Ivory Black paint having already finished the outline to “Raster Man”, I folded the Notepad paper in half, tapped around with my fingers..

.. then opened the paper to produce the very press-painting you see here!

Ivory chosen for the artwork title simply appreciating the beauty to the colour. Natural sunlight showcased the intricate leaf-like structure created whilst unfolding.

Scrollhead Caricature

Finally, we have the very vibrant “Scrollhead Caricature”:

I produced “Scrollhead Caricature” during and after making “y intersects b” [14th – 17th March 2025] from a paint play with the mixed paint on paper.

(quote from my published social media)

“Scrollhead Caricature” is made quite quickly. I thought of Picasso whilst creating this highly original work. A sense of fun, play and textural contrasts.

There are a few themes to this piece, including Shakespeare.

Hope you enjoyed this article.