Tag Archives: Scientific art

Triple Seismic Waves with Oscillation #1

‘Triple Seismic Waves with Oscillation #1’ [July 2020] by Matt The Unfathomable Artist, dip nib ink pen on A3 180gsm paper.

Spontaneously sharing my latest dip nib ink pen artwork using iron gall ink entitled ‘Triple Seismic Waves with Oscillation #1’.

Electronic oscillation produces pleasing visual effects.  This artwork seeks to replicate the idea in drawing form using my free hand technique for the curved lines.  I love scientific art.  Curves, electronics, seismographs, oscillators, earthquakes, sound waves, along with the beauty of artistic courses.

For this artwork I use a nib that creates a double ink line due to the noticeably distant ‘tines’ of the metallic nib.  The flow of ink is important with dip nibs where one is wishing to produce a continuous line across a ‘decent measure of time’ once upon the paper.

The effect of oscillation can been seen vertically in this artwork.

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Multiple Seismic Waves [second version]

‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist, Carbon pencil on 160gsm A4 Gouache paper.  Digitally edited photograph.

‘Multiple Seismic Waves [second version]’ [6th July 2019] by Matt The Unfathomable Artist is very much another art experiment with sound and seismic waves in mind.

Here is the first version I did in blue ink pen:

‘Multiple Seismic Waves [first version]’ [2016] by Matt The Unfathomable Artist, Blue ink on A4 paper, artwork whereabouts unknown.

The first version is currently ‘missing’.  I really don’t know where it is!

I might like to varnish some or all of my sketches.

My second version of the ‘Multiple Seismic Waves’ series includes varying frequency waves, as follows:

One full page seismic wave centrally placed.  Twenty three clearly visible smaller seismic waves.  Finally, there are also some lovely lightly penciled full page high amplitude, oscillation styled, long wavelength patterns too.

I love these artworks for all the conceptual ideas they contain.

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‘If Entirely Fathomable, Wouldn’t Be Unfathomable’

I have produced a series of Pop Art oil pieces on A3 light textured paper entitled ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.

Here is the Aquamarine version:

Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Aquamarine, 25th April 2019] by Matt The Unfathomable Artist, Aquamarine oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.

This is the Red Ochre #1 version:

Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Red Ochre, 26th April 2019] by Matt The Unfathomable Artist, Red Ochre oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.

.. and here is the Sap Green version:

Pop Art ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ [Sap Green, 26th April 2019] by Matt The Unfathomable Artist, Sap Green oil paint writing on A3 light textured paper, signed ‘Matt’ on reverse. Digitally edited photograph. Original Saying created December 2018.

The phantasmagorical concept emanating from this Pop Art ensemble is to mix artistic persona with fluent ecological conservation.  To help inspire the need for cultural, societal, economical and environmental change linked to our beautiful Earth planet.

I like the idea ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’ carries within various layers of meaning.  For instance if someone says, we can’t solve this, it’s too difficult, it cannot be done, then we quizzically reply, ‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.

To drive true change we need new behaviour to accomplish whatever is necessary, environmentally speaking.  Art can motivate, encourage, nurture, grow, develop and achieve unimaginably positive solutions we just didn’t think possible.

‘If Entirely Fathomable, Wouldn’t Be Unfathomable’.

Some have wondered at the random placing of words onto the A3 paper with regards to the use of ‘canvas’ space.  Aquamarine naturally aligned centrally.  Red Ochre (#1 of #2) shifted right, whilst Sap Green ascended higher textually than the preceding colour oil works.

Perhaps this is the result of pure chance, coincidence.  Or possibly preposterously we can read formulaic thinking into the letters.  After I completed the art pieces, super happily viewing them drying late evening, I couldn’t help notice the positioning of certain letters:

Y over O in ‘Aquamarine’,

Y intersects B in ‘Red Ochre #1’,

Y is a constant over MA in ‘Sap Green’.

T required calculation.

Likely astronomers, engineers and mathematicians can help explain the correlation to us.

Thank you for reading.

I hope you enjoy my Pop Art works.

 

 

 

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“four G.R.A.V.>i>T.Y. seven”

“four G.R.A.V.>i>T.Y. seven” [Scientific Art, 11th April 2019] by Matt The Unfathomable Artist, blue ink pen on A3 light textured paper – signed.  Digitally edited photograph.  Original Artwork Saying created September 2017.

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