In 2014 this original artwork, pictured above, appeared on a wall in Clacton-On-Sea, Essex, England one week prior to a UK Parliamentary by-election.
I see five grey looking pigeons and a bright-looking bird suspended upon a single ‘tight-rope’ perch.
What do you see?
I see a definitive quotation. A statement referenced with a placard or a pinafore.
Is ‘Laugh Now, But One Day We’ll Be In Charge’, above, explaining animalistic human traits? The fight for resources? Or greed?
Should we imagine that brute force will gain authority over intellect? Perhaps it touches upon equality, working conditions and slave labour? How about the evolving cycle of Man vs Woman? I’m not trying to provide a dominant argument here.
The beauty of a great artwork is personal opinion. Provocation for thought and emotion.
The most recognisable street artist of our generation, Banksy, certainly makes international headlines time and again! The exclamation felt quite natural to include. ‘Read all about it, read all about it – Banksy has sprayed our walls and doors!’
People show strong appreciation when they know they are being loved. Ideas challenged. Behaviour scrutinised.
I personally chose the artwork images to display in this blog article. Each original artwork has already been represented with worldwide coverage throughout the popular press. Banksy creates street art that speaks influence and popularity.
The above artwork – all photographs taken from the Banksy Website – appeared in the Mission District at Valencia and 20th Street, San Francisco, California, USA.
The artwork pensively references the historical viewpoint of ‘on-the-wall’ art pieces.
This depiction of a warm embrace, as pictured above, appeared on a doorway next to the Broad Plain Working With Young People club in April 2014. It first sold for £403,000, which is a staggering price for any living artist to achieve.
With ‘Mobile Lovers’ Banksy is highlighting the disconcerting divide caused by our growing technological dependence offset against personable human interactions. If unchecked this is a serious pandemic that is ‘sneaking up behind’ the human race in a multitude of ways.
It’s not difficult to observe people engrossed in their social media pages during get-togethers. How can connecting be disconnecting at the same time? What are the long-term effects?
Banksy uses his art and global appeal to help address this problem with a beautiful message. Satirical and empathic, especially the choice of location – a youth centre. A new technologically adept generation coming through.
Can modern relationships survive this technological minefield?
Much more than that, great artworks reverberate. Their intrinsic value increases monetarily and intellectually from generation to generation.
Banksy is inspiring visionaries, a new stream of artists and The Public with his own carefully crafted style. Challenging hard-line views with humour, stark remonstrations and perfectly executed art concepts.
Banksy is the ‘street art’ cool Andy Warhol of the people.
And we all know that there “Ain’t nobody cooler than that.” an artist said.




![Untitled known as 'Two Heads on Gold', 1982. Acrylic and oil paintstick on canvas [80 × 125 in 203.2 × 317.5 cm]](https://theunfathomableartist.co.uk/wp-content/uploads/2015/07/jmbtwoheadsongold.png?w=717&h=488)


