UN noise dash dot

“UN noise dash dot” [6th to 9th September 2024] by Matt The Unfathomable Artist, charcoal, pastels & acrylic paint on premium 115gsm medium textured cotton primed to 240gsm over 12in x 16in (30cm x 40cm) wood-fibre board (4mm), 6936 x 5160 pixels.

Matt The Unfathomable Artist fans please be ready for draft by draft overload.

Having wrote detailed information I thought ‘Fans do need to see these drafts to appreciate how UN noise dash dot progressed’.

“UN noise dash dot” is made in approximately four drafts as follows.

6th September prior to 2111hrs:

First draft: beautiful red canvas coverage and canvas scratches (palette knife) including scratched words. I cannot explain how invigorating this first draft was.

Photograph immediately below.

“UN noise dash dot – first draft”

It’s cool fans get to see early drafts, my artmaking process and developing ideas.

Late 6th into early hours of 7th September prior to 0011hrs:

Second draft:

  • charcoal lines added
  • charcoaled SCREEN_. [to read, ‘dash dot’] PLAY, 314, ART LIFE, tree, UN, stylised sigma symbol [ Σ ] left of ART LIFE, M and box shapes
  • ‘claw’ added to the top of a rectangular robot-like or building shape
  • soft pastels around some boxes for definition

The ‘claw’ could possibly be subconsciously inspired by “The Giant Claw” [movie, 1957] and/or Robby the Robot from “Forbidden Planet” [movie, 1956]. The latter is one of my all-time favourite films. I did enjoy “The Giant Claw” recently, due to the acting performances by the cast.

un in capitals means ‘the opposite of’ or ‘contrary to’ although I’m happy with any reasonable interpretation for this lettering.

I did also think of the un in unfathomable whilst writing this and also the United Nations. I didn’t and haven’t defined an exact meaning for ‘un’. I enjoy viewers deciding for themselves, personally.

Photograph immediately below.

“UN noise dash dot – second draft”

7th September prior to 1445hrs:

Third draft:

  • yellow paint added around boxes,
  • yellow highlights around some words,
  • pseudo-purple paint (first batch) around boxes,
  • green paint around 314, ART LIFE, UN,
  • letter [ i ] symbolically added in green to the right of the letter M.

see [*1] further below for details of the first batch of pseudo-purple paint I mixed on sandpaper that randomly became “Sandpapered Green with Dark Purple & Yellow”.

You can see the wet purple and yellow on the UN noise dash dot canvas (image immediately below) that featured in ‘Sandpapered Green..”:

“UN noise dash dot – third draft”

8th September 2024 – artwork drying, photographed once for artistic evaluation:

  • no drafts, I photographed “UN noise dash dot” now dry from the day before and the still drying heavy impasto canvas of “Cosmic Mouth” – the ‘astronomy‘ art work (not the female mouth canvas working as this was extensively done on the 1st & 2nd September 2024, subsequently overpainted).

9th September early afternoon prior to 1334hrs:

Fourth draft:

  • green highlights around boxes and dash dot symbols added in green to balance the canvas visuals.
  • heavier overpaint to the existing UN green box for definition.
  • second batch of mixed red/blue-to-pseudo-purple paint added around smaller boxes and underneath the overpainted green dash dots below ‘UN‘. I called this latter area ‘the seated dash dots‘ as some days afterwards this is how I myself interpreted this. Please do see “Mapped Random Satellite {Day} #1” as I believe this is my subconscious finding its way into UN noise dash dot. Interestingly the seated shape of these dash dots is pure chance to fill negative canvas space!

see [*2] further below for details of the second batch of pseudo-purple paint I mixed on Notepad paper to randomly become “Upper – Original” with “Unfathomable Apocalypse Rider in Six-Grid Collage”.

Photograph immediately below, wet paint online version.

“UN noise dash dot – WET PAINT” [6th to 9th September 2024] by Matt The Unfathomable Artist, acrylic paint on premium 115gsm medium textured cotton primed to 240gsm over 12in x 16in (30cm x 40cm) wood-fibre board (4mm), 6624 x 4914 pixels.

In terms of subject matter I feel “UN noise dash dot” is my usual pop art complexity. Not in any order of importance or competing artistic thought:

What did you feel “UN noise dash dot” is about?

Here is further information whilst making “UN noise dash dot” with regards to the two pseudo-purple paint batches I mixed on the 7th and 9th September respectively:

[*1] 7th September prior to 1445hrs:

  • I folded one P400 sandpaper piece in the middle from the leftover purple paint to make two paint prints on the same P400 paper piece. I then pressed one of these to a third sandpaper rectangle (folded P400 piece), now making three individual rectangular acrylic ‘prints’ across two pieces of P400 sandpaper.

[*2} 9th September early afternoon prior to 1334hrs.

  • Whilst mixing a second batch of red/blue paint for the purple I made a (then unknown to me) random artwork on lined Notepad paper. This would become first two acrylic pieces then their digital artwork derivations through “Upper – Original” and “Unfathomable Apocalypse Rider – Original” (both physical pieces and the digital derivations are included in the same blog article and link).

Just a quick thought on ‘then unknown to me‘. To me as an artist, mixed or mixing paint is made purely for the purpose of the canvas I’m working on, nothing more. When working on oils I have art-deco teacup saucers I use to mix the paint. These are cleaned after each oil painting session.

Making art from mixed acrylic paint leftovers is therefore quite new to me. Every now and then I like the look of the random paint I’ve mixed, please see “Pure Chance Portrait #2 in Portrait” for instance. Interestingly, I have some iron gall ink practice works I turned into art pieces some years ago. I’ve not published or formally documented any of those as yet.

“UN noise dash dot” is unusual in that I had two batches of mixed acrylic paint workings I liked and decided to do something with.

Hope you have enjoyed this article.

Standard

subcutaneous differentiation mechanotide

”subcutaneous differentiation mechanotide“ [Original in Red edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.

I hadn’t felt inspired in terms of my art for quite some weeks really.

This artwork idea became a mindful thought earlier this morning (24th November). Although to produce a work referencing the word “ziggurat” was actually something I wanted to do months ago.

With my inspiration this morning I began constructing the artwork on a canvas in my mind. Linking ‘ziggurat’ with ‘mechanotide’ and asking a question..

.. Which effect is most damaging to the Earth?

An hour later or so I recorded a few words. Me personally saying [precisely and slowly] “mechanotide ziggurat differention

Here is a computer generated version for you to listen to:

”mechanotide ziggurat differention“ [Vocals by a popular <Text-to-Speech> service, digitally produced using my three original words combined in the title, 24th November 2023], mp3 format.

Now let’s take a look at my B&W Monochrome edition:

”subcutaneous differentiation mechanotide“ [B&W Monochrome edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.

B&W Monochrome is best viewed full screen to get a sense of all the words.

Next is my own exact one-take spontaneous vocal recording, no alteration to my vocals. I did not preconceive any idea to produce a vocal artwork with this recording.

Just me formulating artistic ideas ready to produce a [digital] canvas later in the day [best with good headphones or music speakers 🎧🔉]:

[available upon request]

My last edition (of the three) is the SolarScape shown immediately below:

”subcutaneous differentiation mechanotide“ [Solarscape edition, digital Art, 24th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.

The colours art so cool in this I think, do you? Again, viewing full screen reveals the words much more clearly of course.

Returning to my vocals, I spontaneously say the word ‘differention’, as there is no such word in the English language to my knowledge. I believe I am somehow inspired by the Basquiat use of misspelt linguistics having viewed a (previously unseen) specific work of Jean-Michel online the day before.

Intriguing.

For my digital artwork I chose “differentiation” to create lyrical contrast. I feel “differention” became an artwork of itself in the vocals rather than on my digital canvas. I didn’t try to produce a lyrical performance even though I speak with artistically unintended melancholic verbalisation due entirely to the subject matter [of mechanotide].

My human vocal recording was 100% produced to ensure I formulated good ideas for my canvas artwork.

I digitally inserted ”evil mechanotide #2“ [digital Art, 17th November 2023] into ”subcutaneous differentiation mechanotide“ [24th November 2023] for speed of working, whilst also since I love the mouse written style of ‘MECHANOTIDE’ in that work.

”evil mechanotide #2“ [digital Art, 17th November 2023] is an exact digital inclusion from ”evil mechanotide“ [digital Art, 8th October 2023].

Here is the inserted art in a macro image:

”evil mechanotide #2“ [digital Art, 17th November 2023] by Matt The Unfathomable Artist, digital artwork, 1920 x 1080 pixels.

This is edited in these newer mechanotide versions with corresponding colours and/or textures added using a digital painting package.

The word ‘subcutaneous’ was an instant idea whilst I was digitally drawing.

Here is a Youtube version of my artwork with images and words by a popular Text-to-Speech service:

”mechanotide ziggurat differention“ [Artwork Images with Vocals by a popular service, digitally produced using my three original words combined in the title, 24th November 2023], mp4 video format.

For myself as a person I perceive a vast plethora of content from within my complex layers of ideas, as Basquiat did throughout his incredible artworks.

I am interested to know which of these three digital editions you like the most.

Standard